> Lower voice.
> "Great. Let me give you a rough outline of what I expect to happen, then. Momizi's been instructed to get Aya into the air, if possible, and I suspect Aya will oblige if only to prepare to get away from her pursuer. Now, I expect Aya will want to know where her camera is, and I can act like it's still in my purse, while it's actually in your pocket. I also expect Aya to sell me out, because I don't think it will take her too long to figure out why Momizi will be at the stand. Once that happens, I'll get angry and join them in the air to start arguing my position. I know why I've done what I've done, and while I regret releasing someone from jail that was put there for assaulting the Yama, I still believe I did it for the right reasons. Since it is likely that tempers are going to flare, my presence in the air will throw Momizi off from the plan, because she expects me to try to get the picture, and it will lull Aya into a sense of security, because she'll think I still have her camera. If tempers flare to the point that things might start to get ugly, I can threaten my purse with physical abuse to make sure they both behave, because I imagine neither of them will risk the safety of Aya's good camera. Now, while all this is going on, you will need to act bored or something and start wandering, but you will need to wander in a direction that puts you behind Aya, out of her line of sight. Avoiding Momizi's as well would be preferable, but if it can't be done, it can't be done. Aya's the important one, so focus on getting out of her vision. Once you've done that, be as quiet as possible, and get a good angle on her undergarments and snap some photos. If she doesn't notice the first, you might as well snap a few more, just for some extra content that we can use to our advantage as we please. If you can get some without her noticing, shout for me and tell me you got 'them', and I'll reveal what's going on to our tengu companions."
