Maidens of the Kaleidoscope
~Beyond the Border~ => Rumia's Party Games => Topic started by: ES-Anthy on March 21, 2010, 09:11:46 AM
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>You are a simple person who is named Hero
>You are currently lacking any memories.
>You find yourself in a dark room, the only defining thing about the room is a lighted table, with 4 objects on it.
>These 4 objects, from left to right, are:
>Belt
>Gemstone
>Bowl of Gyuudon
>Stopwatch
>You are allowed to choose one item from this table, which one is taken depends on the majority vote, this decision will affect how this story progresses.
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>Pray that you get a namechange to something that isn't 'Hero' sometime in the future.
>Also, take the... Hmm. Let's go with the Stopwatch.
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>Take the table.
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>Take the stopwatch and stop the time between now and the first incident
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It's actually spelled Gyro, we just have amnesia.
>Gyuudon
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> Take leak. Everyone does it when they first wake up.
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> Take leak. Everyone does it when they first wake up.
>*Rimshot*
>In any case if it's not too late... or if it's even allowed, for that matter... I think I'll shift my choice over to the Gemstone instead. I have good feelings about this...
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>Pray that you get a namechange to something that isn't 'Hero' sometime in the future.
>You can freely change you name in the Options Menu, but you are limited to 8 characters
>Take the table.
>Sorry but the table is not a choice, for it is bolted down to the floor.
>In any case if it's not too late... or if it's even allowed, for that matter... I think I'll shift my choice over to the Gemstone instead. I have good feelings about this...
>Yes you are allowed to change your vote
>Vote Count:
>Belt: 0
>Gemstone: 1
>Bowl of Gyuudon: 1
>Stopwatch: 1
Edit:
> Take leak. Everyone does it when they first wake up.
>It was stated you appear to be in a dark room, though you did not get here while sleeping
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>There is only one solution. Grab everything at once.
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>There is only one solution. Grab everything at once.
>This is allowed, though you will have a much tougher path, along with that you will still need a majority to approve this action
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> Tough paths are there for heroes to take.
> Grab everything at once.
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>Current Vote Count:
>Belt:0
>Gemstone:1
>Gyuudon:0
>Stopwatch:1
>Everything:2
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> ...this sounds like it can only end beautifully and god dammit why did I not think of doing this first.
> so yes, everything at once. Just hope that all folks involved have sufficient courage because dear god. also I am sorry about this jumping around like a deranged frog.
>Worry about name later. That can be saved for some pivotal moment in time.
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>stopwatch
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>Everything
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>assess sexuality
>check mental stability
>find a mirror
>nurupo
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>assess sexuality
>check mental stability
>find a mirror
>nurupo
>You're Male
>You are perfectly Sane for now
>there are no mirrors in the room
>currently we're in the voting phase so just hold of on that for now.
>Current Vote Count:
>Belt:0
>Gemstone:0
>Gyuudon:0
>Stopwatch:2
>Everything:4
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>Sorry but the table is not a choice, for it is bolted down to the floor.
THIS CAN BE REMEDIED.
>take light
>break table
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THIS CAN BE REMEDIED.
>take light
>break table
>You attempt to both take the light and break the table, but you are unable to reach the light, and you hurt your hand on the table.
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>Take everything. Everything. _
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> Everything
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>Everything
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>Everything
>Genuflect
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>Current Vote Count:
>Belt:0
>Gemstone:0
>Gyuudon:0
>Stopwatch:1
>Everything:8
>Genuflect
>Unless you plan on giving your respect to a few items and a table, there really isn't anything to genuflect to.
Edit: >I plan on ending voting soon, probably within the hour, so anyone looking throw in their votes now.
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>FORMATION G!
>Everything~
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>Final Vote Count:
>Belt:0
>Gemstone:0
>Gyuudon:0
>Stopwatch:1
>Everything:9
>Urged on by the Word of God, Hero goes to grab not one, but all 4 of the items, the belt around the waist, pocketing the Gemstone, tying the stopwatch to the belt, and chowing down on the Gyuudon (since really do you imagine being able to carry that thing around for a while before wanting to eat it?).
>Soon you feel tired, the room becoming even darker from your sight, eventually passing out.
>The true beginning shall be formed in a few minutes
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>You eventually wake up from your sudden passing out.
>You find yourself on an operation table, your arms secured down at the elbow, fore arm, and wrist with some form of metal cuffs, and your hands being encased in the same kind of metal. Your legs end up being in the same situation, secured to the table at similar spots, with your feel encased in metal too. Your waist and neck are also clamped down, whoever put you here really wanted to make sure you didn't get away. There is no one else in the room from what you can hear.
>Current Options:
>Look slightly to the left
>Look slightly to the right
>Struggle in the bindings
>Player Input
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>look right
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>appraise ceiling
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We are now Kamen Rider Black. Calling it now.
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>look right
>You look to the right, you see a rolling table with many different surgical implements on it, covered in a good amount of blood, it makes you feel a bit uneasy in your stomach so you soon return to looking forward/upwards.
>appraise ceiling
>You see what looks like a kind of glass dome reinforced with metal beams, there seems to be what looks like a walk way around it, this could perhaps be a viewing area for surgical routines, or experiments.
We are now Kamen Rider Black. Calling it now.
This happened to the first Kamen Rider too you know
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> I CAN BREAK THESE CUFFS!
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> I CAN BREAK THESE CUFFS!
>You attempt to break the cuffs, though you struggle a bit, you start hearing a clicking and rattle in your limbs, you eventually stop but you see that you at least made the cuffs distort, giving you more room to move around, which then you end up breaking the cuffs on your arms, then you work on getting all of the other bindings and such off.
>You then get off of the operation table, there's a door to the North and South, and the observation glass dome in the ceiling.
>You are somewhat shocked in the fact that you were able to break those metal cuffs with no needed help, but you shake it off for now as you hear an alarm go off, the speakers of the building's PA unit crackle to life.
>"Alert! Alert! The Project has awaken and escaped from his restraints! All personal in the base head to medical room X-54 and secure the project."
>Now. What do you do.
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> look for a way out, the north door looks good
> don't forget to grab whatever was there or might still be which could be a weapon, look at surroundings first
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>Manifest Stand.
>Name it Stargazer (http://www.youtube.com/watch?v=SedQcg-65a8)
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>Become a pacifist
>Manifest Stand.
>Name it Stargazer (http://www.youtube.com/watch?v=SedQcg-65a8)
>Consider potential uses for your new stand.
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>Manifest Stand.
>Name it Stargazer (http://www.youtube.com/watch?v=SedQcg-65a8)
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>Manifest Stand.
>Name it Stargazer (http://www.youtube.com/watch?v=SedQcg-65a8)
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This happened to the first Kamen Rider too you know
Stone = Kingstone
Belt = Duh
Stopwatch = No clue.
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> look for a way out, the north door looks good
> don't forget to grab whatever was there or might still be which could be a weapon, look at surroundings first
>You quickly scan the area for any potential weapons, the closest thing being a bit of piping in the corner sticking out from the wall, which you then rip out of the wall
>Weapon: Metal pipe Get!
>You then start to run through the north exit,
>Manifest Stand.
>Name it Stargazer (http://www.youtube.com/watch?v=SedQcg-65a8)
>Become a pacifist
>Consider potential uses for your new stand.
>You attempt to manifest a stand while continuing your escape, but are unable to do so, maybe if you increased your spiritual powers or used some sort of item...
>Quest get! Manifesting a Stand
>You soon start to hear foot steps fill the room behind you as you run farther down the north hallway, and now you run into a fork
>Go to the left
>Go to the right
>Stand and fight
Stone = Kingstone
Belt = Duh
Stopwatch = No clue.
you guessed the stone wrong
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>Left. Always left.
>Look out for spiritual texts to consume.
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>Left. Always left.
>Look out for spiritual texts to consume.
>You make a note of keep an eye out for spiritual texts
>You go to the left, continuing to run as you hear the footsteps get louder. You can tell there's probably a god 10, maybe 15 guys after you for some reason.
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> do they all make sounds like "Eeeee" or "Kikiiiiii"?
>if so, run the other way, anywhere is better than running head on against annoying men dressed in bodysuits and salutes unnecessarily.
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>Pour on the speed.
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> do they all make sounds like "Eeeee" or "Kikiiiiii"?
>if so, run the other way, anywhere is better than running head on against annoying men dressed in bodysuits and salutes unnecessarily.
>Pour on the speed.
>You have yet to hear any sounds other than the foot steps but then they really haven't had anything to "Kiii" at yet since you've been staying away from them far enough for them not to see you.
>You continue your running as they keep their pace behind you, that is until you start to run even faster, leaving these baddies in the dust, soon you come up to an intersection, you can hear faint noises of foot steps coming from all sides now
>Now What Do You Do
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>We broke chains and shit, right? There is only one solution.
>Create door. Run through it.
>Repeat until no long harried.
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>We broke chains and shit, right? There is only one solution.
>Create door. Run through it.
>Repeat until no long harried.
Kick the fucking wall. Do it.
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>We broke chains and shit, right? There is only one solution.
>Create door. Run through it.
>Repeat until no long harried.
Kick the fucking wall. Do it.
>You decide instead of whacking alot of baddies upside the head with a pipe, you decide to line up perpendicular to the wall, step back, and then floor it as you run full throttle at the wall, jumping into a flying kick. plowing through it continuously until you end up in a rather large room, with three large screen around the front of a chair in the middle of the room. It's empty now, and you don't hear any baddies coming around either.
>What do you do now.
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>Examine chair. Does it look like one of those strapdown tortury deals?
>If not, have a seat and take a load off your dogs.
>If so, look around for other less intimidating things.
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> look for turn on button, if there is a screen, there must be something to watch.
> surf for the anime channel or in a life threatening fashion, something to give you a clue on where you are and what you are doing here.
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>Examine chair. Does it look like one of those strapdown tortury deals?
>If not, have a seat and take a load off your dogs.
>If so, look around for other less intimidating things.
> look for turn on button, if there is a screen, there must be something to watch.
> surf for the anime channel or in a life threatening fashion, something to give you a clue on where you are and what you are doing here.
>You examine the chair, it looks rather comfy too, including a remote in it, nothing dangerous.
>You take a seat in the chair, taking the remote into one hand, and pressing on, the three screens flicker to life, though all you see on the other end of each is just the view of a chair. It looks like this place really is some sort of conference room, you flip through the other channels and such as well, mostly just viewing other seats, overall this isn't meant for good old relaxation time.
>You find yourself a little lucky that you didn't see any other people on the other end of the screen.
>What is your next move?
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> Lament this horrible day.
> Look for an exit to the room that isn't a gaping hole in the wall.
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>Examine room for other things. Like a window to look out of, doors, and maybe something to drink.
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>break the screens with chair, vandalism is venting's best friend.
> get out of here.
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>break the screens with chair, vandalism is venting's best friend.
> get out of here.
>The chair and stuff didn't do anything to us. Leave 'em alone =[
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> Lament this horrible day.
> Look for an exit to the room that isn't a gaping hole in the wall.
>Examine room for other things. Like a window to look out of, doors, and maybe something to drink.
>break the screens with chair, vandalism is venting's best friend.
> get out of here.
>The chair and stuff didn't do anything to us. Leave 'em alone =[
>You lament for a moment, and then start looking around the room.
>Around the room, there isn't too much, it mostly being the chair, the three screens, and an exit towards the North. Overall it just looks ominous with the chair being the only lit part of the room not including the screens. All four walls being just plain steel/whatever metal material these guys are using for their walls. Though there is a nice looking drink dispenser in the wall, but it's stocked with only Pepsi.
>you're tempted to break the chair and the screens, but then you realize it's a really nice chair, and you wouldn't want anyone messing with your really nice chair now would you? >=[
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>North
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>Take the chair with us since it's so nice~
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>North
>Take the chair with us since it's so nice~
>You're about to go north before you have the idea of taking the chair, your previous thoughts not interfering.
> You first yank at the chair, apparently they like to keep their furniture where it is, since it's bolted to the ground. So you just punch the ground around it to break off what the bolts were holding onto.
>Item get! Nice Chair
>You then exit the room through the North with your nice chair in hand, not having any problems carrying it due to somehow gained super strength, you can only think back to what they could have done to you in that one operation room.
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>Keep going north
>Try to remember the last thing possible before waking looking like an Iron Maiden cover.
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>Keep going north
>Try to remember the last thing possible before waking looking like an Iron Maiden cover.
>You continue your path north, nothing really coming up so far
>You try to recall the last thing you remember before the whole waking up on the surgery table like a bug being dissected. The only things you can recall are the several items you took, which are still in their respective places, and have not been tempered with (except the Gyuudon which is now in your system, or somewhere else, depending on what exactly happened). Overall you're clueless to what happened to you between those two points, though you think they probably stuck some machinery in you from what you herd from working hard to break the restraints, though what parts of you that may or may not been changed, and your full extend of power is unknown too, maybe you should go see a doctor after you get out of this place.
>New Quest! Go see a doctor
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>Keep going north. Examine surroundings. Keep senses peeled for noticeable things.
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>Keep going north. Examine surroundings. Keep senses peeled for noticeable things.
>You keep on looking around while going North, nothing really is special about this hallway, though you see it opening up towards the end. Continuing on you eventually reach the chamber, which has several doors.
>You see 4 doors, one to the North, one to the North West, one to the North East, and one directly to the West. You soon start to hear foot steps again, though the direction is uncertain.
>Which path to take?
>North Door
>North-East Door
>North-West Door
>West Door
or
>Player action
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>There can't be too much more North. Let's go that way.
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>There can't be too much more North. Let's go that way.
>You decide to continue on Northward, barging through the door like nobody's business you keep on going, you start to see light at the end of the hallway, though the sound of foot steps grows faster than the amount of light you see, eventually you see a group of 20 guys in the hallway, all blocking your path. Each one looks exactly alike, though they still look rather mean. (http://i39.tinypic.com/34i651e.jpg)
>It's just you, and 20 guys in front of you, what do you do?
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>"Hey guys, can you tell me which way to the front door?"
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>It's just you, and 20 guys in front of you, what do you do?
Run the other way
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>Five possible doorways? Start the Benny Hill music.
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>Ask them where they got those utterly adorable scarves, as I'm sure they'll compliment out eyes perfectly~
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> raise hand and salute the guys
> kick their asses while they are distracted. Violence solves everything.
> Use chair as weapon, and pipe too if necessary.
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> raise hand and salute the guys
> kick their asses while they are distracted. Violence solves everything.
> Use chair as weapon, and pipe too if necessary.
>Only a fool forsakes a possible Benny Hill chase scene for violence.
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> stop hauling the bloody chair and use it already
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>We'll use it for sitting when it is time to sit. It's a comfy chair, no need to ding it up.
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> ask yourself: "What sort of refugee superhuman weapon hauls a chair to be sat on later in an enemy base?"
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>"Hey guys, can you tell me which way to the front door?"
Run the other way
>Five possible doorways? Start the Benny Hill music.
>Ask them where they got those utterly adorable scarves, as I'm sure they'll compliment out eyes perfectly~
> raise hand and salute the guys
> kick their asses while they are distracted. Violence solves everything.
> Use chair as weapon, and pipe too if necessary.
>Only a fool forsakes a possible Benny Hill chase scene for violence.
> stop hauling the bloody chair and use it already
>We'll use it for sitting when it is time to sit. It's a comfy chair, no need to ding it up.
> ask yourself: "What sort of refugee superhuman weapon hauls a chair to be sat on later in an enemy base?"
>You first ask them the way for the exit, though you get no response.
>You also ask where they got their yellow scarf/ascot thing, which also comes with no reply.
>You then decide that it's time to haul tail and turn the other direction, bolting it for the area with the five door ways, still holding onto the chair you end up running through the doors with the other 20 guys after you, and then the music starts to play
>Eventually you end up losing all of them, and then ending up back at the northern bound hallway where you can see some light as the end of it.
>You also contemplate the meaning of taking the chair, then you realize it is a good chair, and who really wants to use a good chair as a weapon, it would be good for some other situation though.
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> Run towards light
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> Run towards light
>You continue your way towards the light, eventually reaching an open exit to a wide field.
>What you can initially see from just outside of the exit is a town in the distance, and you think, but aren't sure that you see what looks like some sort of red castle even farther to the north.
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>abscond from France with 5,000 lowercase a's
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>Examine the facility we just escaped from.
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>abscond from France with 5,000 lowercase a's
>Examine the facility we just escaped from.
>You're pretty sure this isn't France, and all you've stolen was a nice chair and a metal pipe.
>You take a look around the building, though now looking at it, it seems more like the building is covered in parts of nature and such, mostly for camouflage, no symbol on it though.
>Either way you run away from the building, unknowing of its owner.
>Where to go now?
>The town
>The red castle(?)
>player input
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>Let's go to town, brisk jog~
>Does anything look familiar at all?
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>Let's go to town, brisk jog~
>Does anything look familiar at all?
>You start to go towards the town in the distance, though a brisk jog for you is the equivalent of a pretty fast run for others.
>Nothing is really familiar, though then really all you can see around here is pretty wide grass fields, that town, the building you just left, and what you think is a large red castle.
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>Ah well. Let's hit town and figure out what's going down.
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>mental victory celebration and then realize that whoever made you super strong will want a return on that investment
>assess hunger and edibility of flora and fauna
>assess rest of physical and mental condition
>don't stop during this, but don't commit so much attention that you run into something
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>Ah well. Let's hit town and figure out what's going down.
>mental victory celebration and then realize that whoever made you super strong will want a return on that investment
>assess hunger and edibility of flora and fauna
>assess rest of physical and mental condition
>don't stop during this, but don't commit so much attention that you run into something
>You continue your way to town, you are currently not hungry, though from the Gyuudon or what happened in the base, you don't know
>You feel perfectly fine physically, no pain or exhaustion right now
>Your mental situation is more of just being a little confused in what has happened in the past seveal moments
>It doesn't really take much to figure this much out while doing your brisk jog
>You now find yourself in the town, which looks smaller than expected, only containing a food stand, two shops, one apparently a weapon shop, one a shop for herbs, two houses, and a statue in the center of the town, which looks like some sort of "Goddess" statue, though to which one you don't know.
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>gentlemen greet people first
> go to the nearest stand, knock and say: "yo dawg, I am from that funky building several blocks away, I just wanna ask, where the hell am I?"
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>gentlemen greet people first
> go to the nearest stand, knock and say: "yo dawg, I am from that funky building several blocks away, I just wanna ask, where the hell am I?"
>You greet yourself to the several people you see in town, which all of them reply nicely.
>You go over to the food stand to ask the man where you are.
>"Well you're in the town of Cottswell, nothing really much happens here, and the Evil Lord of the castle next to us really hasn't been up to much."
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>examine wares for golden apples, generic potions, herbs, and/or flaming homosexuals
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>examine wares for golden apples, generic potions, herbs, and/or flaming homosexuals
>You look around, though the only things even related to those are full recovery herbs from the herbs shop, and the food from the stand.
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> check wallet
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> check wallet
>You check your wallet, which you find out that all that is in there, is really nothing.
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>Go to statue.
>Focus on nabbing its spritual power.
>Summon stand. Name it Stargazer (http://www.youtube.com/watch?v=SedQcg-65a8)
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>go to the nearest person you can find and steal his wallet like the fist of the north star.
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>go to the nearest person you can find and steal his wallet like the fist of the north star.
>That ain't cool. We should consider trading the comfy chair instead. Money would be much less heavy.
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>Go to statue.
>Focus on nabbing its spritual power.
>Summon stand. Name it Stargazer (http://www.youtube.com/watch?v=SedQcg-65a8)
>go to the nearest person you can find and steal his wallet like the fist of the north star.
>That ain't cool. We should consider trading the comfy chair instead. Money would be much less heavy.
>You first go over to one of the residents of the town to trade the nice chair, he responds nicely about this, trading you 500 gold for the chair
>You then go up to the "Goddess" Statue, and focus on it, trying to take any spiritual power from it.
>Soon the sky grows cloudy, and there's a flash of light, with that a woman with a resemblance to the statue appears, which then she speaks.
>"Ohhohoho~ What do we have here?~ some mortal trying to take power from my statue?"
>You figure out that by how this woman looks, she probably is the goddess herself, the question is that what is she the goddess of?
>What do you do now.
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>"Uh, yeah, pretty much. Sorry, this is kinda a big deal for me, I was sort of an atheist until a moment ago. Can I have a moment to wrap my head around this?"
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>"Uh, yeah, pretty much. Sorry, this is kinda a big deal for me, I was sort of an atheist until a moment ago. Can I have a moment to wrap my head around this?"
>The Goddess responds
>"Sure you can, once you pay me for that time you're gonna spend"
>she holds out her hand, expecting you to give her cash
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>"...Would you accept it if I used it to get you dinner? I've got a thousand and one theological questions now, and it'd be great to sit down in a relaxed atmosphere and discuss them."
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>"...Would you accept it if I used it to get you dinner? I've got a thousand and one theological questions now, and it'd be great to sit down in a relaxed atmosphere and discuss them."
>"Oh, if you're willing to pay for that, I may reconsider, but I must ask, how much do you exactly have, because dinner with me isn't exactly cheap~"
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>"Five hundred of these."
>Hold up a gold coin.
>"I suppose I could wash some dishes if you really need to lay on the swank, but you're a goddess, so you probably have an idea how lousy my situation is. I'm not gonna lie, I kinda expect some guys to gatecrash."
>Reflect this might actually be a good deal, for some cosmic enlightenments.
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>"Five hundred of these."
>Hold up a gold coin.
>"I suppose I could wash some dishes if you really need to lay on the swank, but you're a goddess, so you probably have an idea how lousy my situation is. I'm not gonna lie, I kinda expect some guys to gatecrash."
>Reflect this might actually be a good deal, for some cosmic enlightenments.
>She looks at you for a moment, before bursting into laughter
>"Ahahahaha~ Do you really think a measly 500 gold coins can be worth a nice dinner to me? I have thousands upon millions times more than what you will ever have~"
>She wags her finger at you in a taunting manner
>"Ahem, either way, you can still buy yourself the moment of thinking with that chump change"
>She stares at you, waiting for your next words
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>"Ah, but money doesn't make quality, does it? What you'll be getting here, I'd wager, is some good rustic cooking. Show me a chef worth tens of thousands of these...uh...golds that would "lower" himself to do that. Think of it as a change of scenery, an excuse to get out somewhere different. A nice change of pace, as it were."
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>"Ah, but money doesn't make quality, does it? What you'll be getting here, I'd wager, is some good rustic cooking. Show me a chef worth tens of thousands of these...uh...golds that would "lower" himself to do that. Think of it as a change of scenery, an excuse to get out somewhere different. A nice change of pace, as it were."
>"Hmm, no thanks, I would rather prefer high class dining over that. Either way you've been wasting some of my time, so I would like you to pay for this time" She once again puts her hand out, waiting for you to pay her.
>"As the saying goes, time is money~"
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>"Wouldn't you predate the concept of money, though? And possibly time?"
>Hand to forehead
>"See, this is what I meant by a thousand and one questions. There's all sorts of things I need to figure out now and determine how to live my life. I mean, I used to laugh at the idea of tithing as a necessity, now you've got me taking a second and third look at it..."
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>"Wouldn't you predate the concept of money, though? And possibly time?"
>Hand to forehead
>"See, this is what I meant by a thousand and one questions. There's all sorts of things I need to figure out now and determine how to live my life. I mean, I used to laugh at the idea of tithing as a necessity, now you've got me taking a second and third look at it..."
>She starts to leer at you, becoming a bit grumpy.
>Why, yes I do predate the concept of money, but since it's creation it's kinda become a staple of mortal, and spiritual life as well, I can understand how you're so baffled by this, but if you want to continue asking questions, either you pay up now, or you might as well sign a contract with me to keep me around, since Noire has already been dealt with already.
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>Smile back.
>"If we're going to talk about contracts, it's only customary to do so over a meal, isn't it? Also, now I just have to know what sorts of currency are best represented in the spiritual aspect. I'd think fiat currency, because it's entirely backed by trust and nothing else, but I'm just theorizing... I've not even introduced myself. I'm Hero."
>Take a bow.
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>Smile back.
>"If we're going to talk about contracts, it's only customary to do so over a meal, isn't it? Also, now I just have to know what sorts of currency are best represented in the spiritual aspect. I'd think fiat currency, because it's entirely backed by trust and nothing else, but I'm just theorizing... I've not even introduced myself. I'm Hero."
>Take a bow.
>She starts to grin.
>"Ohhoho~ There really isn't much to talk about in any of my contracts, and even then, you wouldn't want to just strain your wallet with just talking over it, since you're gonna need every coin you have to afford it."
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>"Perhaps we can hammer out a payment plan, over sandwiches?"
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>"Perhaps we can hammer out a payment plan, over sandwiches?"
>"Hmm, maybe." she looks you over, ideas forming in her mind
>"Recently there has been more Evil Lords appearing in place of the old ones, sooo~ how about this, if you help me in keeping the Evil Lord population count down, along with giving me, say, and 8/2 cut of any spoils you gain, mind you the 8 is for me, I will help you with any time based needs or any questions of yours', along with a cover charge of all the money you have right now, Okay?~"
-
>"Alright, but what services do I obtain for this cost? Aside from a meal and a theological chat, which I must insist upon upfront."
-
>"Alright, but what services do I obtain for this cost? Aside from a meal and a theological chat, which I must insist upon upfront."
>"Well lets see, I can always turn back time so in case you have a, little accident, I could say, I could turn it back so you're alive, along with in case you come in just a bit late I can turn the clock back you can be the hero of the day, but all of this does come with costs, being revived will be a 100 gold each time, and each turn back of the clock would cost 100 gold as well the first time, it goes up another 100 for each followed use afterward for that day."
>"Now, do you accept?~"
-
>"Throw in dinner and a theological discussion. On top of that, I need if these will count as charitable contributions or business expenses. I would like to consider an alternate payment plan, in which we invest a quantity of money jointly, and then take from the dividends with your four shares for my every one plan, your shares contributing toward future installments of 100 gold. I think this idea would benefit us both greatly."
-
>"Throw in dinner and a theological discussion. On top of that, I need if these will count as charitable contributions or business expenses. I would like to consider an alternate payment plan, in which we invest a quantity of money jointly, and then take from the dividends with your four shares for my every one plan, your shares contributing toward future installments of 100 gold. I think this idea would benefit us both greatly."
>"I'm sorry but I'm not exactly in the mood for altering the contract, especially since that would involve less money for myself, besides, the amount you get will be perfectly fine for my costs."
>"All of the payments are, charitable contributions, I guess you could say~"
>"Also any money you gain off of random monsters out in the field is your own, just anything you find in a large sum, like say secret treasures and bank vaults, all of that stuff is where it gets cut."
-
>"No no, hear me out. It would pay off less in the short run, but in the long run you'd break the bank. Biut say we invest it in...I dunno, treasury bond ponds. We wait for them to mature, then split it that way. Just that we allow for all 100 gold installments to come from that rather than from the field. In turn, I'll take on the obligation of investing, say, 30% of my field takings into these kinds of securities. Not only that, as you're effectively taking capital out of the economy, it serves a s deflationary measure, thus making your own holdings more valuable in comparison."
-
>"No no, hear me out. It would pay off less in the short run, but in the long run you'd break the bank. Biut say we invest it in...I dunno, treasury bond ponds. We wait for them to mature, then split it that way. Just that we allow for all 100 gold installments to come from that rather than from the field. In turn, I'll take on the obligation of investing, say, 30% of my field takings into these kinds of securities. Not only that, as you're effectively taking capital out of ~*~the economy~*~, it serves a s deflationary measure, thus making your own holdings more valuable in comparison."
>"You do make a good deal, I like a man who knows their economics, though the last person I contracted to by your same name ended up just going the regular path to just get it straight through, either way I accept on my end, but do you?"
-
>"I suppose so. Is there something to sign?"
-
>"I suppose so. Is there something to sign?"
>She snaps her fingers, suddenly a large contract appears in her right hand, it's on some rather nice paper, even with some gold leaf bordering on it, all of the deal written out in ink on the paper, with no noticeable fine print, she also holds out a quill in her other hand for you to sign it.
-
>Look over the deal to make sure all the clauses are included.
>If so, make with the signing.
>If not, point out the lacking clause(s)
-
>Look over the deal to make sure all the clauses are included.
>If so, make with the signing.
>If not, point out the lacking clause(s)
>You look over the contract very carefully, everything is in it, and all in order, all it needs is your signature.
>You then sign it, with your four letter name in fancy cursive as needed in all signatures on big contracts.
>"Good~, now that's all taken care of, I just need one little bitty last thing to do, since in your case you may need me more often outside of a town than inside of one, you will probably need some portable way to use my power, since I can't hand around you 24 hours of the day. Do you happen to have anything like a watch or such?"
-
>"Actually, I think I do."
>Give her the stopwatch, and her down payment of 500 golds. "I hope you find a good investment for it."
-
>"Actually, I think I do."
>Give her the stopwatch, and her down payment of 500 golds. "I hope you find a good investment for it."
>"Ah, this will do"
>She makes the contract disappear into some other time or place, really unknown to you honestly. She then takes the money in one hand, and the stopwatch in another, there is a flash of light as she grasps the stop watch, which then she hands back to you, it has changed into a silver pocket watch, with a very nice chain too, the money also disappeared with the flash as well, but then you really can't do anything about that now.
>Item Lost!: Stopwatch, 500 Gold
>Item Gained!:Silver Pocket Watch
>I personally think it's time for a little menu listing since I want to keep it and make sure it's current.
>Inventory
>Silver Pocket Watch
>Plain Clothes
>Belt
>Gemstone
>Metal Pipe
>Quests
>Manifest A Stand
>Go see a Doctor
-
>"Nowthen, about that dinner... Unfortunately, you'll have to treat now."
-
>"Nowthen, about that dinner... Unfortunately, you'll have to treat now."
>"Eh, it's worth it, though I really don't know what you want, care to inform me?"
-
>Reach deep into our subconscious and ponder.
>"...Gyuudon."
-
>Reach deep into our subconscious and ponder.
>"...Gyuudon."
>She looks at you a little odly, and then snaps her fingers, you can actually feel the time slow down a bit this time, though you only sense it as she comes back with a bowl of gyuudon and hands it to you.
>"Hmm, maybe a change of scenery would be better for this"
>She whips out a bit more time power which then you suddenly find yourself in a more lavished place, sitting at a nice table with a set of candles lit in the middle of the table.
>You hear a piano playing in the background, this place is quite fancy to eat a bowl of Gyuudon, but then who cares.
-
>No place is too fancy or too humble for gyuudon!
>But we can enjoy it with all the manners and swank of a place of this stature.
>"And what shall you be having, Miss...?"
-
>No place is too fancy or too humble for gyuudon!
>But we can enjoy it with all the manners and swank of a place of this stature.
>"And what shall you be having, Miss...?"
>"Oh, don't worry about me, I happen to be on a diet right now. That and I was expecting you to want to ask a few questions, so if you want to, ask away."
-
>Set into the gyuudon with all proper manners. What that we know, anyways.
>"Well, first I ought to apologize for the statue thing. See, I thought it was mostly just a place where the people's passive psychic potential gathered, not actually a holy thing. Still getting used to being a theist, you know. So I guess the first thing to ask is: in light of beings like yourself, what does it mean to have a soul?"
>Continue to ask various theological quandaries, including the origin of spacetime, the afterlife, the role of faith and worship, the question of evil, and so on~
>Enjoy that dinner.
-
> Don't forget to ask what country/land the village is located in.
-
> Don't forget to ask what country/land the village is located in.
>We can ask any old muck this. Only resort to this after attaining enough theological data to have the keys of enlightenment. Which would probably be longer than a single dinner.
-
>Set into the gyuudon with all proper manners. What that we know, anyways.
>"Well, first I ought to apologize for the statue thing. See, I thought it was mostly just a place where the people's passive psychic potential gathered, not actually a holy thing. Still getting used to being a theist, you know. So I guess the first thing to ask is: in light of beings like yourself, what does it mean to have a soul?"
>Continue to ask various theological quandaries, including the origin of spacetime, the afterlife, the role of faith and worship, the question of evil, and so on~
>Enjoy that dinner.
> Don't forget to ask what country/land the village is located in.
>We can ask any old muck this. Only resort to this after attaining enough theological data to have the keys of enlightenment. Which would probably be longer than a single dinner.
>You do the proper ritual before starting to eat your Gyuudon. (http://www.youtube.com/watch?v=xuGoWi3PmHQ)
>"Well, for some it's understandable to not know about gods and spiritual beings."
>She continues to respond to your questions, though half the time you start to lose track and not fully understand some parts, but overall it opens your mind to the true parts of life and such.
-
>Unlock Achievement: Dinner Date with a Deity
>Once the food is done with, sit back and enjoy the music a bit. "This is really nice. We should do this again sometime."
-
>Unlock Achievement: Dinner Date with a Deity
>Once the food is done with, sit back and enjoy the music a bit. "This is really nice. We should do this again sometime."
>"Hmm, maybe. You're certainly more talkative than the last person I met..."
-
>"What a waste. I've learned so much from you already."
>Ponder if there is dessert. If so, there's time to ask about free will vs predestination! No need to be a bore and insist, though.
-
Why is this thread not entitled "Decide the destiny" D:
>If there is dessert, order cheesecake. Cheesecake is always good.
-
>"What a waste. I've learned so much from you already."
>Ponder if there is dessert. If so, there's time to ask about free will vs predestination! No need to be a bore and insist, though.
>"Ahem..either way, are you finished, because I think it's about time for you to start going out there and col-...I mean adventuring around, and looking for treasures~."
Why is this thread not entitled "Decide the destiny" D:
>If there is dessert, order cheesecake. Cheesecake is always good.
>sorry but there is no dessert, also don't doubt my thread naming skills
-
>Wipe face.
>Lament lack of tag team partners.
>"Yes, I suppose it's time."
-
>Wipe face.
>Lament lack of tag team partners.
>"Yes, I suppose it's time."
>You clean off your face before starting to lament over not having a good back up, side kick/tag team partner, maybe you could start looking for one?
>New Quest!: Find a tag team partner.
>The time goddess looks at you, "Good, and don't worry, I have all the time in the world, so if it takes you a while to find some, don't worry about me chasing you, but if you need my services you know what to do~.
>With those last few words you see the Time Goddess snap her fingers again, you feel time slow down before you find yourself back in the town of Cottswell.
>What do you do now?
-
>Ask around about Evil Lords.
-
>Ask around about Evil Lords.
>You start to ask around the town about some Evil Lords, which one villager informs you
>"Well, we have this one Evil Lord, he goes by the name of...of..." he draws a blank for a few seconds.
>"Dang it I don't remember, his name was ara something...or ere something, just, it sounded like that.
-
>"What is an evil lord, exactly? I'm kind new here."
-
>"What is an evil lord, exactly? I'm kind new here."
>"Ah, well generally, an Evil Lord is just a guy with alot a power, and is usually a baddie...but then there's just those people who get mildly peeved off and somehow get some power and a castle, which then they're also called Evil Lords, overall they're just people who want to ruin others' fun"
-
>"Oh. Okay. Where's that one you were talking about?"
-
>"Oh. Okay. Where's that one you were talking about?"
>"He's in that old red castle a good distance to the Northwest" the villager says, pointing in the direction of the castle that you saw a while back.
-
> "Thanks bud."
> Head for the castle.
-
> "Thanks bud."
> Head for the castle.
>You thank the villager as you make your way towards the castle, with you running abilities though you end up getting there within a few minutes, standing right at the front gate, which is open.
>What do you do?
-
>Check gates for guards, murder holes, and all that good stuff.
>Once these have been noted, stride in while avoiding them. Guards are more to be ignored.
-
> destroy something that won't cause an alarm
-
>Check gates for guards, murder holes, and all that good stuff.
>Once these have been noted, stride in while avoiding them. Guards are more to be ignored.
> destroy something that won't cause an alarm
>You search around the front gate of the castle, it seems like you standard fair, with said murder holes and such but there seems to be no guards, or people in said murder holes.
>You start to walk your way in, and you punch a hole in the wall just because you felt like it.
>You come to a rather large main hallway, dimly lit by the occasional candle on the wall, though the further you go in the flames seem to change slightly in color until you start to see some blue flames.
-
>Are they in braziers? Wall sconces? Stands? Just floating in midair? Is the castle on fire?
>Regardless, examine the flames, and head further in if nothing odd starts happening. Keep an eye out for the Evil Lord.
>Mentally review the procedures for a german suplex.
>_
-
> try to acquire fire, as did Man acquired fire from Perseus.
> proceed on forwards, where there be fire, there must be something to deal with.
-
>Are they in braziers? Wall sconces? Stands? Just floating in midair? Is the castle on fire?
>Regardless, examine the flames, and head further in if nothing odd starts happening. Keep an eye out for the Evil Lord.
>Mentally review the procedures for a german suplex.
>_
> try to acquire fire, as did Man acquired fire from Perseus.
> proceed on forwards, where there be fire, there must be something to deal with.
>Upon closer inspection the first flames you saw were in braziers, while the further you got down until the flames turned entirely blue, they started to be just floating there.
>The flames do seem magical, but then really it seems it's all coming from a specific point, so no being able to absorb this.
>As you continue onward, you make sure how to do a German Suplex.
>You try to acquire the flame but then the braziers are attached to the wall and the floating flames you can't touch directly, they just move out of the way.
>As you continue onward you see a rather nice carpet appear on the floor leading up to a throne, with a dark, cloaked figure sitting right on it. You can see tendrils seeping out from under the cloak, unable to define their forms.
>All you can see from the figure of darkness is a pair of glaring eyes, looking straight at you.
>What Do You Do
-
>"Hey, are you the Evil Lord? Sup?"
>Assess threat rating of Cloakjin
-
>"Hey, are you the Evil Lord? Sup?"
>Assess threat rating of Cloakjin
>You talk to the Evil Lord, you here a mild breathing coming from him.
>"Why, yes I am the Evil Lord of this castle, what brings you to here of all places?"
>You try to guess how strong this guy is but then you really don't have anything to go off of other than looks, and even with that you can't tell just how strong this guy is.
-
>"I'm curious, really. You call yourself an Evil Lord, and this makes me wonder why. I mean, most people don't think of themselves as evil. Even if they do things that are objectively wrong, they tend to feel they're justified about it rather than just outright calling themselves evil. They had no choice, the circumstances demanded, it, so on. So, what makes you different? Oh, I'm Hero by the way."
-
>"I'm curious, really. You call yourself an Evil Lord, and this makes me wonder why. I mean, most people don't think of themselves as evil. Even if they do things that are objectively wrong, they tend to feel they're justified about it rather than just outright calling themselves evil. They had no choice, the circumstances demanded, it, so on. So, what makes you different? Oh, I'm Hero by the way."
>The Evil Lord rises from his throne
>"Well, the whole "Evil Lord" name is more or less a title than an actual word that describes my intetions, I mean a few countries to the west there's that one Evil Lord who really is a rather nice guy, just that you don't want to take his girl friend otherwise he just goes insane."
>He then walks up to you, he still looks like a shadowy figured in a dark cloak, and he extends out his hand to greet you.
>"Nice to meet you Hero, my name is Ereraba, my hobbies include chess playing, and reading poetry."
-
>Accept handshake.
>"I'm Hero, as I said. I kinda don't remember what my hobbies were. I think I'm supposed to beat you up in the name of the Goddess, though."
>No actual hostile moves yet.
>"So, what are you doing around here? Aside from enjoying the castle life and nifty blue flames."
-
>Accept handshake.
>"I'm Hero, as I said. I kinda don't remember what my hobbies were. I think I'm supposed to beat you up in the name of the Goddess, though."
>No actual hostile moves yet.
>"So, what are you doing around here? Aside from enjoying the castle life and nifty blue flames."
>He gently grasps your hand, giving you a firm, but not too hard of a handshake.
>"Ah, well last time I remember hearing something about someone named Hero and that person siding with the Time Goddess he was just slaying Evil Lords who were siding with Noire, who last time I checked kinda got killed a few years ago. "I personally remained neutral since I wasn't one too focused on violence, I just sorta enjoyed the darker look of things inside one of these castles. Currently I haven't been doing anything, just handling the usual fees and such of owning a castle, which isn't too hard with the reserve of treasure I have along with my savings."
-
>"Just minding your own business, then?"
-
>"Just minding your own business, then?"
>"Overall, yes, though it has been getting rather lonely around here, and no new news has really appeared recently, I used to get a few letters from that one facility towards the South from here.
-
>"Hey, can you tell me about that place?"
>Ponder if it might be possible to get get the Evil Lord to invest in the Time Goddess, and get credit for the dividends.
-
>"Hey, can you tell me about that place?"
>Ponder if it might be possible to get get the Evil Lord to invest in the Time Goddess, and get credit for the dividends.
>"There really isn't much to say, the only thing I can really tell you about them is that they've been sending out letters to other Evil Lords, and I think their name is, Shocker...or something of that sort."
>You start to think about possibly getting this Evil Lord to put some of his riches into your financial plan.
-
>"No idea what they do, who's there -aside from this Shocker guy-,where they're from, who supplies them, or anything like that? They have to be pretty loaded, right?"
-
>"No idea what they do, who's there -aside from this Shocker guy-,where they're from, who supplies them, or anything like that? They have to be pretty loaded, right?"
>"I have no clue really, I only started getting letters about, half a year after Noire bit the dust, I haven't really paid any attention to these guys, they actually seem rather self sufficient, at least it seems like it due to not seeing any large amount of supplies enter their base thingy towards the south."
-
>"So what did the letters say?"
-
>"So what did the letters say?"
>"Most of the letters involved mostly asking me to join them, but I prefer just staying to myself."
-
>"What sort of reasons did they give you reasons to join them?"
-
> "Also, would you happen to be in any way related to Al Gore?"
-
>"What sort of reasons did they give you reasons to join them?"
> "Also, would you happen to be in any way related to Al Gore?"
>"Hmm, they gave the usual things, promising ultimate power and control of the world, the same old same old."
>"Eh?...Who's this Al Gore you speak of? Is he one of those other Evil Lords that popped up recently?"
-
>Wave it off.
>"So, South? Wouldn't be a problem if I went and suplexed them into submission, would it?"
>"Oh, also! You say you have a lot of money laying around? You should make it work for you, rather than just moldering in a vault. With a little help from me, you could have it generating income for you just by the fact it exists. Then you wouldn't even have to drain your savings to maintain this place, you could just let the interest take care of you and keep the principal intact. All it will cost you is your choice of a fixed starter fee, or a percentage of the interest, and that's it!"
-
>Wave it off.
>"So, South? Wouldn't be a problem if I went and suplexed them into submission, would it?"
>"Oh, also! You say you have a lot of money laying around? You should make it work for you, rather than just moldering in a vault. With a little help from me, you could have it generating income for you just by the fact it exists. Then you wouldn't even have to drain your savings to maintain this place, you could just let the interest take care of you and keep the principal intact. All it will cost you is your choice of a fixed starter fee, or a percentage of the interest, and that's it!"
>The Evil Lord decides to drop the whole Al Gore thing.
>"Nah, it wouldn't be a problem for anyone, but then I don't know exactly what you would be dealing with there."
>The Evil Lord gives you a bit of a look
>"Hmm, I would be willing to invest, though I already have a system of my own for my financial needs, the Time Goddess does make a good person to know for your money troubles."
-
>Grin. Lament lack of paisley suit to look more professional.
>"Who better to trust for interest than an incarnation of time? She's part of the very equation, you know!"
-
>Grin. Lament lack of paisley suit to look more professional.
>"Who better to trust for interest than an incarnation of time? She's part of the very equation, you know!"
>"Oh so true, I guess you already have met, and got a contract with her?"
-
>Nod. Don't boast about having dinner; gentlemen never tell~
-
>Nod. Don't boast about having dinner; gentlemen never tell~
>"Ah, that's good then, at least you have your future financial situation settled out, either way do you need anything more, because if you need anything just ask."
-
>"...Would you happen to have a paisley suit in my size? I feel kinda bare without one."
-
>"...Would you happen to have a paisley suit in my size? I feel kinda bare without one."
>"Ah, well I may have one in my wardrobe in your size, though I would need to dust it off, give me a moment."
>The Evil Lord walks through one of the doors in the throne room.
>Since he's going to be away for a bit, do you want to do anything?
-
> Wonder if he qualifies as an Evil Lord merely due to his appearance and castle.
-
>Check out the throne.
-
> Wonder if he qualifies as an Evil Lord merely due to his appearance and castle.
>Check out the throne.
>You ponder the thought of that is he only an Evil Lord due to the castle and his looks.
>You then go over to search the throne, it has a nice dark green cushion as the seat, the arm rest and backing look like they're formed out of either silver or some sort of white gold. Overall it looks like a really damn nice place to sit, you even notice he has a side pocket on the throne for a remote, though the remote itself looks like it's currently missing.
-
>Search behind the throne.
-
>Search behind the throne.
>You look behind the throne, and find a small treasure chest, in which you find inside of it, a small card with the line "Yes Man Kablam" across the top of it, once you finish reading the title, it disappears into sparkles, the information of how to preform the move now in your brain.
>Skill get!: Yes Man Kablaam
-
> Lightly look around for switches, taking a futher look at the expected places for ones, such as off color stones in the wall(if it's stone) or large paintings/pictures, heck even statues that don't seem completly "right" in their location. The classic spots for a switch or secret.
-
> Examine new skill.
-
>Make sure there is no curious breeze behind the throne.
-
> Lightly look around for switches, taking a futher look at the expected places for ones, such as off color stones in the wall(if it's stone) or large paintings/pictures, heck even statues that don't seem completly "right" in their location. The classic spots for a switch or secret.
> Examine new skill.
>Make sure there is no curious breeze behind the throne.
>You search around for any more possible secrets or such, but you don't really find anything, except for one statue holding an inappropriate magazine in its arms.
>You examine your new Skill
>Yes Man Kablaam
>It's a punch that comes out slowly, which then is followed up with a raising of your arms, looking to the left, than the right, and then the left again. Overall a flashy move at skin sight, but good at stunning enemies as well.
>You double check behind the throne for any breeze behind there, though you find that this Evil Lord does keep a nice little cabinet full of cleaning goods behind his throne as well.
>You start to hear his food steps come back down the stairs, you better hurry up your shenanigans.
-
>Return to where we were.
-
>Return to where we were.
>You return to the spot you were standing before the Evil Lord left, in which then you see him coming down the stairs, with a paisley suit in hand.
>"It took a little while, but I finally found it, I remember when I used to wear this thing, I used to be such a rebel back then too. Either way I have no need for this now since I've settled down here, you can take it"
>The Evil Lord hands you the paisley suit he had
>Item Get!: Paisley Suit
>"Do you need a room to change in or are you going to take it to go?"
-
>"A place to change would be great."
-
>"I hope this fits well, cause frankly I don't wanna have to slip in some spandex and wear fake chest pads later on."
-
>"A place to change would be great."
>"I hope this fits well, cause frankly I don't wanna have to slip in some spandex and wear fake chest pads later on."
>"Ah, is that what all the adventurers doing now a days? I must be falling behind the times."
>He then shows you the way to a changing room through a door to the left of his throne, down a short hallway to the 2nd door on the right.
-
>Equip paisley suit!
>Evaluate make and quality of old clothes.
-
>Equip paisley suit!
>Evaluate make and quality of old clothes.
>You put on the paisley suit, making you feel rather professional.
>You look over your old clothes, which mostly make up of a pair of plain jeans, and a long sleeve shirt, nothing special really. They're still of good quality though, looking like they were made recently.
-
>Tuck 'em away, we may need them later.
>Exit.
>"Hey, thanks a lot for the help! I'll be certain to make sure an agent with the correct paperwork and such comes around later."
>If there is no new business, exit!
>Examine contract for clauses involving properly getting in contact with the goddess.
-
>Tuck 'em away, we may need them later.
>Exit.
>"Hey, thanks a lot for the help! I'll be certain to make sure an agent with the correct paperwork and such comes around later."
>If there is no new business, exit!
>Examine contract for clauses involving properly getting in contact with the goddess.
>You put the clothes away into your holding spot, all of your items that you had in the regular clothes now moved over to the paisley suit.
>You exit the room and head back down the hallway to the throne room.
>"Ah, you're welcome, if you ever need a place to stay, I will always be here."
>There is not any more new business, so you then make your way out of the exit.
>You check your contract, in which you learn that it does not cost anything to get into contact with the goddess, just hold the pocket watch in your right hand and speak into it like you were talking through a phone.
-
>Head south, look for aforementioned installation; wonder if they fixed up the walls yet.
>Whip out watchphone.
>"Hello, it's Hero here. I don't know if you were listening, but I sweetened up an Evil Lord toward investing some treasure into our plans. Unfortunately, I didn't have the proper materials onhand to do it myself; sort of a spur of the moment thing. Hopefully it won't be a problem to send someone around to seal the deal? If you could hook me up with some proper paperwork, it would speed things along on my side."
-
> get out of where you are, look for somewhere high to climb up and observe surroundings.
> see something that looks hostile? beat it to a pulp.
-
>Head south, look for aforementioned installation; wonder if they fixed up the walls yet.
>Whip out watchphone.
>"Hello, it's Hero here. I don't know if you were listening, but I sweetened up an Evil Lord toward investing some treasure into our plans. Unfortunately, I didn't have the proper materials onhand to do it myself; sort of a spur of the moment thing. Hopefully it won't be a problem to send someone around to seal the deal? If you could hook me up with some proper paperwork, it would speed things along on my side."
> get out of where you are, look for somewhere high to climb up and observe surroundings.
> see something that looks hostile? beat it to a pulp.
>You start to make your way to the "Shocker" Facility, pulling out the pocket watch on the way.
>"Ah, more treasure is always a good thing~, I'll just get the papers to you right now"
>With that, you feel a sudden flux in time as another document and a quill appears in your free hand, signing all of the necessities for it to go through, and with that the papers are gone.
>"That's all done now, you have a rather good sum of cash going for you now, though I wouldn't push it too much."
>Eventually you arrive at the facility, and go up a tree to get a good look of the land around the facility, so far there appears to be no guards around the outside of the building, but the North entrance is now closed.
>What do you do?
-
>Make doorway to the east.
-
>Make doorway to the east.
>as in from the east or eastwards into the building?
-
>One that will allow one to go east into the building.
-
>One that will allow one to go east into the building.
>Oh, okay
>You move to the east side of the facility, and then go Dogi on that wall, ramming right into it and making a new entrance, you hear an alarm go off
>"Alert! Alert! Breach in the East wall!" could be herd from the PA system
>What's the plan this time?
-
>Examine surroundings.
>The plan is simple: Find out what's going down, toss three or more fools, enact corporate takeover (can't crush the local economy, that'll mess up our Patroness)
-
>Examine surroundings.
>The plan is simple: Find out what's going down, toss three or more fools, enact corporate takeover (can't crush the local economy, that'll mess up our Patroness)
>You examine the area around the hole you just made, more rubble and junk strewn about, and I think you actually buried one of the goons that work here, it would explain the twitching hand sticking out of the rubble.
>With your plan all set out, you go to find where the big guy of this place is, though you can really only go either North, South, more East, or the anywhere dogi method.
-
>Make sure Goonald's face isn't covered up. It's just polite.
>Examine the area we're in.
-
>Make sure Goonald's face isn't covered up. It's just polite.
>Examine the area we're in.
>You go back to uncover the goon's face, all you can really see is just a mask with a number on it, apparently unlucky number 13 for this one.
>You look around the current path areas, all you see are the doors further down some hallways, and a lost and found poster, for a nice chair.
-
>Go more east.
-
>Go more east.
>You continue onwards East, already you are hearing the foot steps of approaching baddies.
>Your next move good sir?
-
>We're clearly a businessman, about to do businessman things. Do you not see this paisley suit? This handful of important paperwork? Surely they will leave us to our important business!
>If this don't work, grab one, use him to bludgeon the others into submission.
-
> Bust through the goons the same way we busted through that wall >:D
OR
> Head toward the center of the building, busting through walls as the need arises.
-
> fight
> seriously all that power and we go and put on a suit, think for a moment, we should be looting the bad guys for rare items they may drop.
-
>We're clearly a businessman, about to do businessman things. Do you not see this paisley suit? This handful of important paperwork? Surely they will leave us to our important business!
>If this don't work, grab one, use him to bludgeon the others into submission.
> fight
> seriously all that power and we go and put on a suit, think for a moment, we should be looting the bad guys for rare items they may drop.
> fight
> seriously all that power and we go and put on a suit, think for a moment, we should be looting the bad guys for rare items they may drop.
>You tredge on for a bit until you run into a group of two "Shocker Riders" (http://i39.tinypic.com/34i651e.jpg) along with 5 of those lower ranked goons, their numbers being 36, 48, 6, 39, and 43.
>With your looks you try to get them to not attack you.
>The goon with the number 6 on his head walks forward a few more steps "Sir, do you have the proper identification to be within this building?"
>Those are the last words he speaks before you whack him upside the head with your metal pipe in one hand while keeping the papers perfectly fine in the other.
>You see sparks and some black stuff oozing from the wound you gave to the goon, who is now twitching on the floor.
>The four other goons along with the two Shocker Riders look right at you, ready to pounce at you all at once.
-
>Put away papers.
>Grab wounded goon.
>Hit Shocker Riders with wounded goon
-
> Show them what it means to be the justified and evil at the same time.
> utilize your surroundings, the goon may be a weapon but don't just use him alone.
> Fighting is all about instinct and making the other submit to your work of violence! At the first chance you get, kick the crotch of anyone with your superhuman strength, if that doesn't make them clutch instinctively to protect themselves from your attack, which effectively gives you opportunities to attack them more directly, I don't know what will.
-
>Inazuma Kick~
-
>Put away papers.
>Grab wounded goon.
>Hit Shocker Riders with wounded goon
> Show them what it means to be the justified and evil at the same time.
> utilize your surroundings, the goon may be a weapon but don't just use him alone.
> Fighting is all about instinct and making the other submit to your work of violence! At the first chance you get, kick the crotch of anyone with your superhuman strength, if that doesn't make them clutch instinctively to protect themselves from your attack, which effectively gives you opportunities to attack them more directly, I don't know what will.
>Inazuma Kick~
>You put away the papers, making sure you don't get anything on them
>You pick up the goon you just dropped to the floor with the pipe to the skull by the throat, you're pretty sure he's gonna be out for a long, long while.
>You then Hammer toss the goon at the Shocker Rider 1, which then it stuns him for a moment.
>You then grip the pipe tightly, and swing at two more goons, cracking another skull as he crumples to the floor, the other one you nail in the leg, causing him to fall to the floor with the busted limb, both are reacting the same as the first goon, oozing out black stuff and sparking at their wounded areas.
>You pick up the one wounded in the leg by his head, brain claw style, and then slam a knee into his crotch, though you feel less bits being crushed than just one flat piece of steel, overall ending with you crushing that, throwing the goon at the other Shocker Rider, leaving that one also stunned for a bit.
>You then jump back for a bit, and shove the metal pipe in the ground, leaving it sticking out of concrete. You then pull off a back flip onto the pole, glaring at the remaining two goons and the currently stunned Shocker Riders, following up with a jumping lunge at the four transitioning into a flying kick, which then you end up impaling one goon and a shocker rider.
>You pull your leg out of the two, now covered in random bits of gunk from their insides. The remaining goon and Shocker Rider look over at you, ready to attack.
-
>Toss fallen goon at shocker Rider and follow tossed goon in a kick.
-
> Falcon punch the remaining Shocker Rider.
-
>Toss fallen goon at shocker Rider and follow tossed goon in a kick.
> Falcon punch the remaining Shocker Rider.
>You pick up the goon with a hole in his chest and toss him at the other Shocker Rider, and follow it up with punching the last goon in the jaw, sending him into the wall.
>You then make another back flip to the pipe stand, and follow it up with a last kick, landing the blow straight through his head.
>all the baddies are dead in his area, what to do now?
-
>"Man I hope these guys didn't have any families or dependents."
>Examine area.
-
>Loot corpses for everything!
Time Goddess might have a way for you to carry all this. Or just give what you can't carry to her for her to keep. Their armor and weapons could come in handy. They might even have some "proper identification" for future encounters.
-
>"Man I hope these guys didn't have any families or dependents."
>Examine area.
>Loot corpses for everything!
Time Goddess might have a way for you to carry all this. Or just give what you can't carry to her for her to keep. Their armor and weapons could come in handy. They might even have some "proper identification" for future encounters.
>You speak your words, though you don't feel bad since the signs of black ooze and sparking points to them probably being machines.
>You look around the area, which currently you see a door more towards the East, and all of the black gunk from the goons and shocker riders.
>You go to loot the corpses of the goons and shocker riders, though you find out that the armor they have can't really be removed, but you were able to take a yellow scarf/ascot and one goon mask #6 from them.
>Item Get!
>Shocker scarf
>Shocker goon mask
-
>Consider mask.
>Consider ethnic heritage; are we Mexican?
-
>Consider mask.
>Consider ethnic heritage; are we Mexican?
>You consider possibly putting on the mask
>You then consider your ethnic heritage, though you don't really feel anything specifically Mexican in your body.
-
> Put on the mask as an attempt at looking a little less suspicious.
-
>And in case we actually are Mexican. Fighting without a mask would be so shameful!
-
> Put on the mask as an attempt at looking a little less suspicious.
>And in case we actually are Mexican. Fighting without a mask would be so shameful!
>You put on the mask, which then you feel a little more wrestler like.
>What to do next?
-
>Look for a visitor's map. With the helpful you are here marking.
>Failing this, look around for places to go.
-
>Look for a visitor's map. With the helpful you are here marking.
>Failing this, look around for places to go.
>You look around for a visitor's map, and end up finding what looks like a simple layout of the base, with a large chamber at the very South of the facility, and you see you're still pretty far towards the East.
-
> Head south.
-
> Southern chamber we go
> Don't forget to brush off all the dirty on your shoes, the last thing we wanna do is dirty someone's carpets.
-
> Head south.
> Southern chamber we go
> Don't forget to brush off all the dirty on your shoes, the last thing we wanna do is dirty someone's carpets.
>You brush off all the stuff you got on your shoes from the previous fight, and then make your way towards the southern chamber.
>You make it about half of the way there before you encounter another Shocker Rider
>What do you do?
-
>What's he doing? How does he react to us?
-
>What's he doing? How does he react to us?
>Currently the Shocker Rider is looking you over, trying to identify if you're friend or foe, so he isn't being hostile yet.
-
>Ponder if waving is an in character action.
>Decide we can take him if he isn't.
>Wave.
>Should he go hostile, tear off his right arm and beat him with it.
-
> say hello
> do German Suplex with him.
-
>Ponder if waving is an in character action.
>Decide we can take him if he isn't.
>Wave.
>Should he go hostile, tear off his right arm and beat him with it.
> say hello
> do German Suplex with him.
>You ponder the waving, overall getting to the point of that it can go on without wasting an action.
>You look at the Shocker Rider, and going based on what you did to the other 2 SR's, you think you can take him.
>You wave to him, currently he doesn't look hostile, but you hear some odd clicking from him.
>You say hi to him before you wrap your arms around his waist, and deliver a german suplex, in which you end up sending a large crack into his head. Followed by flames spurting out from the jaw area, looking like it's jammed.
>Your next action?
-
>Is there a top rope, or a reasonable facsimile thereof?
>If so, it's time for a body slam.
-
>Is there a top rope, or a reasonable facsimile thereof?
>If so, it's time for a body slam.
>There isn't a rope in the area, but then for some reason, but with the imagery in mind, when you try to reach out for something like the rope, you feel like something is actually in your hands, testing this feeling it can actually support you.
>Skill Discovered!: Anywhere Wrestling Rope
>With this new ability, you get onto the invisible rope, standing on it, looking like you're floating in mid air, which then you follow up with a leap, and performing a diving elbow drop (http://en.wikipedia.org/wiki/Professional_wrestling_aerial_techniques#Diving_elbow_drop) onto the Rider's head, breaking it into pieces, letting out a large flame, though you end up unharmed, and your clothes not burnt.
>Next move Mr.Mask?
-
>Look around. See what's here.
-
>Look around. See what's here.
>You look around, the paths being towards the South, the East, and the North which you just came from, the walls being made of metal, with random pipes and such sticking out of the walls, the ground being cracked and scorched from wrecking that Shocker Rider a few moments ago.
-
>Go more east.
-
>Go more east.
>You decide to go more towards the East, now from guessing your position, you think you're just directly North of the large room in the building. Currently the area is clear.
-
>Go north.
-
>Go north.
>You start to move Northward, farther away from the large room of the building, you eventually end up finding that one hole you made in your first run of the place to the conference room.
-
>You start to move Northward, farther away from the large room of the building, you eventually end up finding that one hole
>(http://i43.tinypic.com/ekf635.jpg)
>Go back through the hole~
-
>With better bearings, go south until the large room or some other obstacle is found.
-
>(http://i43.tinypic.com/ekf635.jpg)
>Go back through the hole~
>With better bearings, go south until the large room or some other obstacle is found.
>Though you feel the voice of a man telling you to thrust through that hole, you head back towards the South, eventually ending up at the doors that lead right into the large room.
>Any last preperations?
>Update on items, quests, and such.
>Inventory
>Things Being Worn/Equiped
>Silver Pocket Watch
>Belt
>Shocker Goon Mask #6
>Paisley Suit
>Metal Pipe
>Things in containers (pockets, bags, hammer space, such and such.)
>Shocker scarf
>Documents
>Gemstone
>Plain Clothes
>Quests
>Manifest a Stand
>Go see a Doctor
>Skills
>Super Strength+Speed
>Manifesting Personal Ring Rope.
-
>Why don't we have the scarf equipped yet?
>Equip scarf~
-
>Why don't we have the scarf equipped yet?
>Equip scarf~
>You Equip the Shocker Scarf, the yellow feeling a little off but it works for now.
-
> Walk into the room like a badass.
-
> Walk into the room like a badass.
>You slowly open the door, taking your time to walk in, being as cool as the icebergs themselves.
>The room is absolutely dark for a few moments, until a series of candles light themselves, revealing another figure (http://i39.tinypic.com/vobol2.jpg) within the room other than yourself.
>"Hmph...so you're the one causing the commotion, project Eight-Five-Eighteen-Fifteen, Codename "Hero" escaped about 3 hours ago after waking up from the second to last procedure until the project was finished. You so far have already killed three of my Shocker Riders and a few of the underlings. So, what is your meaning for coming to my chambers?"
-
>Get down on one knee and propose.
-
>Get down on one knee and propose.
>Naw, we can do way better than this.
>"Well, I heard about the world domination thing. Figured I'd have a look into it."
-
>Get down on one knee and propose.
>Naw, we can do way better than this.
>"Well, I heard about the world domination thing. Figured I'd have a look into it."
>You speak out your words, soon the woman picks out an axe out of her pile of weapons, and throws it right at you, though just hitting the ground inbetween your legs
>"You have quite the balls, or the stupidity, to think you could join in world domination now, you're a failed, tainted project, and we must begin anew, the most you can accomplish in this organization now is to just be scrap metal for the next project."
-
> "Who said anything about joining in the first place?"
> Dark grin.
-
>Kiss her~
>"I love you. Marry me!"
-
>Kiss her~
>"I love you. Marry me!"
>Redacted.
>"How about I just beat you up and take all your stuff for religious purposes?"
-
> "Who said anything about joining in the first place?"
> Dark grin.
>Kiss her~
>"I love you. Marry me!"
>Redacted.
>"How about I just beat you up and take all your stuff for religious purposes?"
>You yell at her about joining in the first place, and follow up with a dark grin.
>"My my, you don't remember waking up here? This was the place you were reborn, your body is still Shocker Property, though we can't help it if you run away, so that's why I'm going to chop you up into scrap and start on the next project.
>You then taunt at her, telling her your plan of looting for the Time Goddess
>"Hmph, you think you can even touch me? You'll be in a million parts before you can even touch me!"
>She then starts to throw more weapons at you, what do you do?
-
> Dodge.
> Strike at the first gap in her defense.
-
>Consider surroundings if there is an opening to do so.
-
> Dodge.
> Strike at the first gap in her defense.
>Consider surroundings if there is an opening to do so.
>You start to dodge around, avoiding random spears, axes and swords being thrown at you, so far no gaps showing up.
>The current surrounding is a basic flat room, with the lady at the other end of the room with her throne.
-
>"Your decor is shameful, you know that?"
>Comtemplate the likelyhood of getting close enough to give her a right suplexin'.
-
>"Your decor is shameful, you know that?"
>Comtemplate the likelyhood of getting close enough to give her a right suplexin'.
>You taunt her for a moment
>"There is no need for such trivial things."
>Her moment of speaking left open a slight gap, which you go for, continuing to dodge random weapons.
>Currently you can't get up to her if you keep on dodging, and with how you're built a blow or two won't do much to ya.
-
>Ah what the hell. Dive in where the throwing is light, grab, and give her a suplex so German she'll bleed Bavaria.
-
>Ah what the hell. Dive in where the throwing is light, grab, and give her a suplex so German she'll bleed Bavaria.
>You wait for the perfect moment, once dodging about 5 more spears and an axe you jump into the air and land behind her, your hands around her waist, in which then you liberally apply some German pain of the suplex variety.
>She's now on the ground, her weapons scattered about, she crawls backwards until her back is against the wall, her face, once filled with evil, now of distress, knowing that she may be next on the list of the people you've dealt with.
>What do you do?
-
>Charge
>Leap
>Skip off the wall.
>Twist in mid-air while reversing direction from the wall skip.
>Come down with a flying lariat
-
>Charge
>Leap
>Skip off the wall.
>Twist in mid-air while reversing direction from the wall skip.
>Come down with a flying lariat
>You decide to finish her, you charge and leap into the air, skipping off the walls, and come down at her with a flying lariat, nailing her in the face, breaking through the wall she was up against, and sending her out of the building. The light from outside was pouring into the building as you walk out through the hole, seeing the girl all battered and bruised, unconscious, but still slightly breathing.
>Your choice.
-
>Flex.
-
>Flex.
>You Flex, the girl in front of you slightly opens her eyes, looking at you.
>"You, have bested me, if you choose to kill me, do so, but let me have... one last request. I, I want to see the face of the one who defeated me here."
-
>Ponder if we remember whether or not this violates our cultural heritage.
>If not, do so. But keep the helmet in hand in case she acts up and we have to peg her with it.
-
>Ponder if we remember whether or not this violates our cultural heritage.
>If not, do so. But keep the helmet in hand in case she acts up and we have to peg her with it.
>You think about if it does violate your cultural heritage, but then remember you didn't have a mask until the 2nd time in the base and nothing felt wrong before then.
>You then show your face to the girl.
>"Ah...so this is the face, of the one who d-defeated me, well, sorry to say, but good bye, Hero"
>With these words she raises her hand, a spherical object in her hand, which then she tosses it to the ground, causing a smoke screen to form, and with the clearing of the smoke he is gone, though you see a bit of white sand where she was on the ground.
-
>Take sand.
-
>Take sand.
>You pick up a bit of the sand, you get an eerie feeling from it running through your fingers, like something wasn't right with that girl.
>What is your next move?
-
>"Hope she left the deed here, because it's my place now... Time to find a real estate office."
>Head back inside, search around some more.
-
> flip furniture over
-
>"Hope she left the deed here, because it's my place now... Time to find a real estate office."
>Head back inside, search around some more.
> flip furniture over
>You head back into the base through the South door you made earlier, back in the main room, with all of those weapons still embedded in the walls and such.
>You look around, and flip some furniture, which in this room is just the throne, which in doing so you find a safe in the wall behind it.
-
>Look around for some hint of the combination.
>Consider suplexing safe open, decide against it lest the contends be delicate.
-
> shake it loose the vault door
> open and observe, take whatever of value.
-
>Look around for some hint of the combination.
>Consider suplexing safe open, decide against it lest the contends be delicate.
> shake it loose the vault door
> open and observe, take whatever of value.
>You look around for a sort of safe combination, but can't find anything
>You then decide to try to open it through brute force, though since it's in the wall, you can't exactly shake it or suplex it.
>You then try to pull it open, in which then you yank the door off with the handle, revealing some papers and a bag inside of the safe, which then you loot.
-
> Observe loot.
> Check papers.
-
> Observe loot.
> Check papers.
>You look through the loot, finding a rather large amount of nice jewels and such
>The papers vary quite a bit from the papers that show ownership of the building, to schematics of the shocker rider, though there is one last page that at the top of it is labeled, "8-5-18-15" overall showing what seems like a diagram of a body, and certain parts of such, though there's so much techno-garble on it and such that you can't make heads or tails of it.
-
>Gather the lot.
>Explore the building some more.
-
>Gather the lot.
>Explore the building some more.
>You take all of the papers and such, and then start to explore the building, finding the corpses of the baddies you took out earlier, but later on you find that the entire force of Shocker Riders and Goons deactivated, on the ground.
-
>Stack them.
>Ponder material value.
-
>Stack them.
>Ponder material value.
>You end up stacking up all of the Shocker Riders and goons, with that you got about a good 40 bodies or so, not including the dead ones.
>With that you have 12 more shocker scarfs and 28 more goon masks from this.
>What do you exactly plan next?
-
> Charge through them they way we charged into the base earlyer >:D
OR
> Mismatch parts of uniforms, like headgear from Shocker Riders on Goons and vice versa, ect... Laugh while doing so. >:D
-
> there must be some use to them while deactivated, if selling them is an option we should consider gathering them for later then.
> try activate one of them to help you haul the rest of them back to the village.
> add to objective: sell any spare parts that are acquired.
-
> Charge through them they way we charged into the base earlyer >:D
OR
> Mismatch parts of uniforms, like headgear from Shocker Riders on Goons and vice versa, ect... Laugh while doing so. >:D
> there must be some use to them while deactivated, if selling them is an option we should consider gathering them for later then.
> try activate one of them to help you haul the rest of them back to the village.
> add to objective: sell any spare parts that are acquired.
>You play around with their uniforms for a bit, having some fun and laughing all the while.
>Then you try to focus on activating one or two of the guys, though half don't respond, and a fourth of them just twitch and spark, though you get one to actually work, though it has some sparks and random clicks sounding from it.
>Once it goes on line, he gets to his feet, and bows to you
>"Hello, I am Shocker Rider #31, what may I do for you master?"
-
> "Could you help me take these guys to the village?"
> Point to the pile.
-
> prod it along.
> give it a name, "I shall name you George W Bush"
-
>"By the way, how good are you at accounting, George?"
-
> "Could you help me take these guys to the village?"
> Point to the pile.
> prod it along.
> give it a name, "I shall name you George W Bush"
>"By the way, how good are you at accounting, George?"
>"Why, yes I could help you carry these other non-functioning units"
>He moves over to start picking up the bodies, not having much trouble carrying a good 5 by himself.
>"Ah, recognizing new name, new name now "George W. Bush" "
>"Oh, why yes, I am very good with numbers, and managing money, why do you ask master?"
-
>"You're gonna keep track of my accounts, of course."
>Grab a few more bodies yourself; start hauling them to the village.
-
>"You're gonna keep track of my accounts, of course."
>Grab a few more bodies yourself; start hauling them to the village.
>"Okay then master"
>You yourself pick up about 7 bodies yourself, with the total of 12 you're carrying the 11 remaining shockers and a goon.
>You and George W start to make your way to the village, nothing going wrong, and eventually you reach the entrance of the village.
-
> Contemplate where we can pawn these guys.
-
>Try the place that we sold the chair to.
-
> Contemplate where we can pawn these guys.
>Try the place that we sold the chair to.
>You think about where the sell the 12 bodies you have right now, and remember the guy who you gave the chair to.
>You look around for him, and ask a few people, and find out he owns the last house on the left of the North road, which you go there, and then meet him.
-
>Find his house. Knock on door; unless he's outside or in the shop.
>Regardless, when meeting him, ask, "Hey, do you buy deactivated robots?"
-
> Trading in such rare commodities, we should name the price, not him.
> name a high price.
-
>Find his house. Knock on door; unless he's outside or in the shop.
>Regardless, when meeting him, ask, "Hey, do you buy deactivated robots?"
> Trading in such rare commodities, we should name the price, not him.
> name a high price.
>You knock on his door, which then he comes out, and you pop the question to him
>"Ah, well it's certainly an odd item to take, but then they look like they'll make good scrap metal"
>You try to name a high price, 2000G for each one making it 24000G in total
>"Ah, well that's certainly a lot, but then it's not every day you get the chance for something like this, I'll play up"
>Which then he goes into his house, and rummages about a bit, soon pulling out a few rather large bags of gold, and he has you bring in the 12 bodies, setting them onto a rather large table in the main hallway, not being able to see anything else in the house he has you leave.
>Money Gain! 24,000G
-
>Go fetch the rest of them. If he balks at the price, let him negotiate down to 1500.
>Ponder where a good traveling broker could be found.
-
>Go fetch the rest of them. If he balks at the price, let him negotiate down to 1500.
>Ponder where a good traveling broker could be found.
>You go back to get the other bodies, and return, though he doesn't bother negotiating, and takes them, giving you another 24,000G, and you deal with the other two loads of bodies as well.
>Total amount of cash from all of the bodies: 78,000G (including the first load)
>You then think where you could find a good traveling broker could be found, all of this gold is getting rather heavy, and you got those gemstones too and such, which then you start to feel a rattling from the silver pocket watch.
-
>Pick up the watch.
>"Hey there! Ready for a pick up?"
>Wander about looking for a real estate office.
-
>Pick up the watch.
>"Hey there! Ready for a pick up?"
>Wander about looking for a real estate office.
>You pick up the watch phone and talk into it, in which the time goddess appears for a moment.
>"Ah, good work Hero, keep it up~"
>With that there's a flash, and the only remaining about of cash is your cut of it, and the time goddess disappears
>Current cash: 15,600G
>You then start to look for a real estate office, though no luck in this town.
-
>Look for a pub or some other establishment, so informations can be found.
-
> have a drink at said pub, every man must reward himself when a great task is done.
> take George along, teach him the pleasures of drinking.
-
>And a bowl of gyuudon if they have such things.
-
>Make sure to do the usual rituals before eating, if such is the case.
-
> Get some info on other Evil Lords while we're at it.
-
> surely we can afford something higher class than our starting point food, hows some truffles?
-
> surely we can afford something higher class than our starting point food, hows some truffles?
>Lookit this mook who doesn't know know class.
-
>Look for a pub or some other establishment, so informations can be found.
> have a drink at said pub, every man must reward himself when a great task is done.
> take George along, teach him the pleasures of drinking.
>And a bowl of gyuudon if they have such things.
>Make sure to do the usual rituals before eating, if such is the case.
> Get some info on other Evil Lords while we're at it.
> surely we can afford something higher class than our starting point food, hows some truffles?
>Lookit this mook who doesn't know know class.
>You look around for a pub or something of the sort, asking around a bit you find out there's a tavern, which then you make your way to it.
>Once you're inside you go and talk to a few others, asking where a real estate place would be, but overall you just get odd looks, one person speaks up though
>"Uh, if you're talking about what I'm thinking, you could find one of those places in the next town over to the west about, quite aways away."
>You order yourself some mead from the bar, and give some to George as well, he takes a drink out of it, rather enjoying it.
>You also order Gyuudon, and do the proper ritual dance (http://www.youtube.com/watch?v=XeZ7XRHQse8) for eating it again, and then chow down, though George gives you a bit of an odd look
>You then ask around about other Evil Lords, one person giving you quite a bit of info
>"There really aren't alot of Evil Lords around this area, alot of them lost the ghost in the whole conflict with Noire, it's what happened when you side with the bad guy. Though, I've herd some stories about a new set of Evil Lords showing up callin themselves "Devil Choujin" or whatever that jazz was, I got no clue honestly."
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> "Thanks for the info."
> Finish gyuudon.
> Pay if we haven't already.
> Head for the town in the west.
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>Get some more specific directions to the town to the west, first.
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> gripe about the truffles you could have had.
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>Better yet, don't. :V
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> shed manly tears for the lack of truffles
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> "Thanks for the info."
> Finish gyuudon.
> Pay if we haven't already.
> Head for the town in the west.
>Get some more specific directions to the town to the west, first.
> gripe about the truffles you could have had.
>Better yet, don't. :V
> shed manly tears for the lack of truffles
>You thank the man and finish your food, pay your fees, and before heading out you ask the man for more specific directions to the town to the west
>"Well, to be honest all there is between this town and that is a wide river, and a small forest around that, but overall it's just straight west of us."
>You're tempted to gripe and mope about due to the not having of truffles, but then you realize the Gyuudon was worth it.
>Also you can't shed manly tears for something like truffles over Gyuudon.
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> Head to teh river, we might chance upon a certain Kappa mechanic (wonder who said mechanic was... that popped up alluvasudden in your head)
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>Contemplate the possibility of adding truffles to gyuudon.
>Once the river is reached, look around for bridges.
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> Head to teh river, we might chance upon a certain Kappa mechanic (wonder who said mechanic was... that popped up alluvasudden in your head)
>Contemplate the possibility of adding truffles to gyuudon.
>Once the river is reached, look around for bridges.
>You make your way to the river, though you don't find any Kappa there, though there's a rather long stone bridge between this edge and the other edge of the River.
>You think about possibly adding in truffles to the gyuudon, it is always possible.
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> Head across the bridge. If stopped by bridge guard/troll/etc. tell them to let you through to continue your quest of justice.
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> Head across the bridge. If stopped by bridge guard/troll/etc. tell them to let you through to continue your quest of justice.
>You decide to walk over to the bridge and travel on it, you have an odd tune (http://www.youtube.com/watch?v=EtdQl6WuFeI) go through your head as you start to walk on it.
>Do you decide to continue?
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> Keep going.
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> Keep going.
>You continue your way across the bridge, soon seeing a large shadow appear on the bridge, followed by a huge monster crashing into the bridge, somehow it still stays in one piece, the monster soon stands up on its feet, though you can tell the thing is male, and possibly human (http://i44.tinypic.com/r903ra.jpg), though it is hard to tell through all the armor on him, and you can see the spear he is wielding as well.
>He soon speaks, though to you it sounds more like yelling.
>"How dare you think you could cross this great bridge of mine! Name yourself peasant and tell me why you are setting foot here."
>What do you do?
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>Oh he did not just say peasant like it was a bad thing.
>Set all phasers to asskick, but hold fire for now.
>"I'm Hero. And you are?"
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>Oh he did not just say peasant like it was a bad thing.
>Set all phasers to asskick, but hold fire for now.
>"I'm Hero. And you are?"
>You're pretty sure he did say it like it was a bad thing
>You get ready to send this guy into the milky way, but you hold back.
>"You introduce yourself to the huge beast of a man standing in front of you, he smirks
>"You see, I, am no ordinary person, I, am not a savage beast either, I, I am the creature superior to all, I am a super human, I am" he pauses, before puffing out his chest a bit "GILGAMESH" with that you swear you see his name flashing in lights behind of him. "You see, I could pick you up and crush you in my right hand, while flipping through a book with my left, simple puny humans shake in fear of hearing my name, so I think you should be leaving now." he adds on a shooing motion of his hands to go along with that last line.
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> "I'm not exactly your run-of-the-mill human either. Hell, I've even got an android with me!"
> Point in the direction of George.
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>"Anyways, sure, I'll get out of here."
>Walk around him. Be ready to dodge or counter if he tries anything funny.
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> "I'm not exactly your run-of-the-mill human either. Hell, I've even got an android with me!"
> Point in the direction of George.
>"Anyways, sure, I'll get out of here."
>Walk around him. Be ready to dodge or counter if he tries anything funny.
>You boast about yourself and George, pointing at George, he just scoffs at you
>"Heh, there's no need for things like androids or servants like that for someone as great as me"
>You speak your words of leaving, trying to walk around him, he stops you by stabbing his large spear right in front of you, missing you by just a few inches
>"This is my bridge, if you think you're getting by me, you're gonna have to pay the toll."
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> "I'm not exactly in a paying kinda mood."
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> "I'm not exactly in a paying kinda mood."
>You retort back at Gilgamesh, with that his grin turns into a glaring stare at you.
>"Well then, the price of you trying to cross my bridge without paying, is your head."
>With that he raises up his Spear, ready to come at you.
>What is your plan?
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>Dodge aside
>Grab spear by the shaft.
>Fling it and maybe Gilgamesh into the river.
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>Dodge aside
>Grab spear by the shaft.
>Fling it and maybe Gilgamesh into the river.
>You quickly move to the left, dodging the vertical spear slash, and with that you quickly grab the shaft the spear, and start to lift
>Thought you find it a rather hard, and slow process to lift the beast on such a long spear, though you start to get him off of the ground about 15 feet or so before he pulls out a rather nice looking sword, from a distance.
>He soon throws the sword at you, with your hands tied up at the moment, you may get hit.
>What are you going to do?
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> If possible, move a bit to dodge the word without losing the grip on the spear.
> If it isn't possible, drop him, and dodge the sword while trying to grab it's hilt.
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>Just dodge, and continue to drop him in the drink. Or at least the spear.
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> If possible, move a bit to dodge the word without losing the grip on the spear.
> If it isn't possible, drop him, and dodge the sword while trying to grab it's hilt.
>Just dodge, and continue to drop him in the drink. Or at least the spear.
>To dodge the sword you drop the spear and jump to the right, good thing you dodged it, as it just rips through the bridge itself when it made contact with it.
>Gilgamesh on the other hand drops down, though falling on his bum from being dropped, his spear now out of his hands.
>Your plan now?
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> Grab the spear and whack Gilgamesh with it.
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>"Nice job ruining your bridge, doofus!"
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> Grab the spear and whack Gilgamesh with it.
>"Nice job ruining your bridge, doofus!"
>You taunt Gilgamesh and grab his spear
>"I can just get the pesants at the town to the west to fix it- HEY! Give me back my spear!"
>You then deliver a good whacking of Gilgamesh's head with the spear, though the thing busts on his thick skull, he is now dazed, though not going down any time soon.
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>Grapple dazed Gilgamesh
>German Suplex him into that hole to widen it~
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> "How did you escape The Void, Gilgamesh? And did you ever find that "Blade of Legend" you were searching for?"
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>Grapple dazed Gilgamesh
>German Suplex him into that hole to widen it~
> "How did you escape The Void, Gilgamesh? And did you ever find that "Blade of Legend" you were searching for?"
>You run up to Gilgamesh and grab him by the leg, since he's a bit too big to grab him around the waist, and you suplex him, straining yourself, but eventually you crash his noggin onto the bridge, the hole gets a bit bigger as his head is wedged inside of it
>You ask him about the Void and the "Blade of Legend", he quickly pulls his head out of the ground and leers at you
>"How the hell do you know about those things, they were long since forgotten by the people of the land, I'm the only one who remembers those things!"
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> "Random things pop into my head sometimes."
> Deliver a flying kick.
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> "Random things pop into my head sometimes."
> Deliver a flying kick.
>You respond with your note of random things in your head, which then Gilgamesh just scowls at you, which then he starts to charge at you, quickly closing in.
>You then preform the floating rope skill, giving you something elevated to jump off of, which then you jump into the air and deliver a flying drop kick to his chest, sending Gilgamesh down to one knee, though he starts to hack and wheeze like the air was knocked out of him, and you land on your feet, ready to continue.
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> Try to get him into the river by continuously pounding him.
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> "Gilgamesh, I must say, you are a pretty good opponent, your skilled and you have confidence in your skills. I respect such things in a warrior."
> Continue the ass-kicking. Running Jump-Kicks, Round-house kicks, and powerful punches, and other such forms of attack, including use of a weapon he may have dropped like that spear of the sword he threw, if they could be grabbed and used by a normal person.
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>No jumpkicks if we're trying to knock him into the river. Missing would be bad.
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> beat him down with the moves
> turn around, point at him with your index finger and your thumb raised up with a stupid grin on your face. "GIRUGAMESH"
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> Try to get him into the river by continuously pounding him.
> "Gilgamesh, I must say, you are a pretty good opponent, your skilled and you have confidence in your skills. I respect such things in a warrior."
> Continue the ass-kicking. Running Jump-Kicks, Round-house kicks, and powerful punches, and other such forms of attack, including use of a weapon he may have dropped like that spear of the sword he threw, if they could be grabbed and used by a normal person.
>No jumpkicks if we're trying to knock him into the river. Missing would be bad.
> beat him down with the moves
> turn around, point at him with your index finger and your thumb raised up with a stupid grin on your face. "GIRUGAMESH"
>You continue to pummel and thrash Gilgamesh, once you get him to the very edge, almost tipping over, you then taunt him with "GIRUGAMESH"
>He gets rather angry, though he can't do much as he's about to tip over the edge, which then you go up to him and deliver another punch, making him fall over the edge, though after looking away you hear a chomping noise, turning back you see Gilgamesh, holding onto the edge of the bridge, with his teeth, actually biting into solid rock.
>What do you do?
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> Collapse that part of the bridge with a well placed punch.
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> Collapse that part of the bridge with a well placed punch.
>You ready yourself to punch the bridge to knock off Gilgamesh, you hear someone yelling in the distance, though all you make out is "Gate" before you suddenly have a flurry of blades thrown at you, which then you get grazed and nicked by several of the weapons before dodging out of the way.
>You look in the direction where the weapons came from, and you see another man (http://i40.tinypic.com/4lstfp.jpg) which then he yells out at you.
>"What do you think you're doing to my cohort you philistine?"
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> "I shouldn't have to pay to cross a damn bridge. Seriously!"
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>"Bitch threw the first punch anyways!"
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> turn around, point to that new guy, thumb up, index finger at him and also "GIRUGAMESH"
> "Well, to begin with, your cohort wanted to extort money, proper gentlemen don't BEG."
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> "I shouldn't have to pay to cross a damn bridge. Seriously!"
>"Bitch threw the first punch anyways!"
> turn around, point to that new guy, thumb up, index finger at him and also "GIRUGAMESH"
> "Well, to begin with, your cohort wanted to extort money, proper gentlemen don't BEG."
>You first inform this new person of how Gilgamesh demanded money from you and how he attacked you. The man in golden armor just shrugs at you
>"Sorry, but this is our bridge, and people who don't pay and try to cross are going to be attacked."
>With that, you taunt the other Gilgamesh, which then he leers at you.
>The 2nd gil raises his hand, and you can tell he is going to pull something.
>You next move?
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> If possible, take out the part of the bridge that the first Gligamesh is hanging from with a kick.
> If not possible, go for the new guy by running low to the ground to minimize your target size.
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>If Beefy Original Flavor Gil is still hanging on by his teeth, which is commendably badass but inconvenient, give him a boot to the head to encourage him to get his bath.