> Has anything else of interest happened since the incident?
> Contemplate current relationships on Youkai Mountain.
> Have the management-type Tengu attempt to instigate any incidents (http://en.touhouwiki.net/wiki/Mystical_Power_Plant), as far as you know?
OOC: Is this related to any previous Shrinemaiden threads?
>How much drama do we have to through to get an interview with Kanako? What have we interviewed her about in the past? Did those stories do well?
>Who are our subscribers? Where have we tried to expand to in the past? Any places we've specifically avoided, and why so? How do the papers get delivered?
>Check chest for usual growths.
>Aside from Aya, do we have any notable rivals, enemies, or people who just don't get along with us?
>How does our self-image differ from reality?
>Speaking of people we met duringour gameour initiation into investigative journalism, what do we think of Tenshi and Iku?
>They're not terrible, but a little more would be nice.
> We should find a way to fix it, then! Gensokyo is filled with countless wonders limited only by the most dazzling of imaginations, surely there is something out there that can help us.
> Not that our job should take a back seat to this, of course. Just keep it in mind as something to look into and/or ask about, should we run across the right people.
>Sounds like we're either lonely or have a bad case of cabin fever.
>Spend the next 5 pages inside our house, thinking to ourselves.GO OUTSIDE!
> Of course we wouldn't report on such a thing, or at least not on how we specifically applied it to ourselves. There's journalistic pursuit and then there's shamelessness. Reporting on it in a general manner would be good, though; even if anyone that saw us would be able to guess how we used it, who's going to come out and ask directly?
> Where are Aya's and Momizi's houses relative to ours? Those might be the best places to start looking for clues as to Aya's whereabouts.
> Is Momizi likely to have gotten smashed along with everyone else, or is she too dutiful for that?
>Also, have we taken the opportunity to raid her house?
> Would Momizi think of it more as raiding or investigating if we grabbed her first before heading to Aya's pad?
> Inventory
> Looks good. Let's go fetch the pup, then.
> Scandalous!
> Does it sound like Aya?
> If permissible, retroactively take a picture of the large metal apparatus.
> Perhaps it is Sanae? Or Nitori?
> Our snore-fu is weak! We must train harder if we're ever going to become the #1 journalist in Gensokyo.
> Knock on the front door.
>Let's not knock just yet. Instead, let's have a discreet peek into that window first.
>Do we typically photograph this sort of thing, or do we leave that to Aya?
>Related to this, just how discreet is our camera, in terms of light and noise?
> How do we compare?
> Is there anything obviously out of place in the room besides the sleeping tengu and the booze?
>Knocking on Momiji's door when we're done investigating.
> Yeah, go for it. Be prepared to duck down out of sight should we get caught, though.
> Would Momizi know how to look to see if we had taken such a picture?
> Good.
> Lightly drop back down and knock on the front door. Best act like we didn't just see or do that.
> Return the gesture.
> "Morning. Didn't mean to interrupt mess hall duty, sorry."
> "Hope none of them are on shift this morning."
> Jerk a thumb upward with a grin.
> "Unless the new plan is to scare intruders away with that noise."
> "Good. I hope that includes you, because we've got a missing reporter to find."
> "I don't mean me, that's for sure."
> Shake head.
> "She'd never miss a release deadline if she could possibly avoid it."
>Keep a mental note to use previously taken photo as leverage against said individual if the needs arise.
>Ponder on the possibility of photo editing software developed by kappas.
> "Fantastic. Need help getting ready?"
> Nod.
> "Do what you gotta do."
>Tyr to avoid embarassing kleptomania...oops
>Have we been in here much before?
>Related to this, how's our social life when compared to Miji's?
> Step inside and take a look around.
>We are wearing "tengu" geta, right? How tall are they?
>"No problem. You ready to head out?"
>Where did we hear about Aya being?
>Let's head toward Casa de Aya
> Is the Moriya Shrine in this direction?
> If the shrine isn't in this direction tell Momiji that we'll check with her after we check out Aya's place.
>"Yeah. Have you guys rummaged through the place already?"
>How old is Hatachan?
>"Well, part of being a journalist is having a nose for what's newsworthy."
>What are non-journalist crow tengu like?
>"So let's go have a look! It'll even look nice and totally not-at-all-suspicious with you there to oversee it!"
>Heh heh HEH.
>Depart for Ayahaus
>To Aya's~!
> "A thief, huh? Could you tell anything about them?"
> Head to the house quietly in an attempt to get the drop on them.
>Are there any visual signs of intrusion? Can we hear anything?
>What is a dai-tengu? Are we one? Is Moemiji?
>What sorts of buildings are around Aya's house? In particular, which house people that are likely to see anything?
>Related to this, what sorts of hiding spots are there?
>I assume Aya is a Crow tengu. Do we know approximate ratios between the castes?
Also: Kappa and Tengu = Kroot and Tau.
> 'Investigate' Aya's house.Make sure to borrow as much stuff as possible.
>Before doing anything, let's circle around and see if we can find any signs of forced entry. Try to avoid the window where Momiji saw the wing, and have her keep lookout for any other signs of the intruder.
>What happens if a Dai Tengu gets caught breaking and entering?
>Whipser: "Think we should go in after 'em, or hide until they leave?"
>Nod.
>Should it come to testimonies, can we reasonably expect Momiji's word to hold up as evidence that it wasn't us that picked that lock should Daiguy accuse us of such?
>Go listen at the door.
>Give Momiji a questioning look, then motion for her to listen. She's the ears of this outfit, anyways.
>Nod, and nudge the door open as gently and quietly as we can.
>Yes, do we know approximate caste population?
>Sneak upstairs, cameraphone at the ready.
>Don't go upstairs just yet.
>How does the downstairs look? Any signs of ransacking? Also, what kind of rooms seem to be down here?
>Point toward the picture, and make a motion as if we were specifically trying to tilt it.
>Judging from the sounds upstairs, can we specifically tell what is going on?
>Point toward the stairs, and raise an eyebrow in question.
>Can we hover up them? If so, hover up them.
>If not, then do it a step at a time, keep it quiet.
>Either way, keep attentive. Try to figure out where our break-in artist is before we see him.
>Stop at the top of the stairs, and try to peer around the corner while exposing as little of our head as possible.
>Burst in, snapping pictures and accusations.
>Rather than do that, let's take it smart and try to get the upper hand. Quietly make our way to the edge of the editing room, and check to see if it's fully closed, or ajar in some manner. Keep ears peeled for noises of any kind.
>Do we trust our camera to be discreet enough to take the picture of someone with their back turned without alerting them?
>Pause. Wait for rustling to resume or for sounds to change.
>What's Momiji up to?
>Unrelated to this, how does our spiritual photography work? Could we, say, take a picture of what's inside of a closed room?
>Peer around the doorframe, as we did around the top of the stairs. No sudden motions now. But do be rather to snap a quick picture.
>Do we know who this is?
>Get that photo!
>"Yep. And you're Tsubaki, right?"
>Produce notepad to write down things!
>"Very well, miss Ayatsuji. May I ask why you forced entry into Miss Shameimaru's house?"
>Do our best not to look at Momiji or hint that there is anyone else there at all.
>"Hmm. declined to elaborate on reasons for breaking into house.
>"Are you here on assignment from the Higashi no Kaze?"
>"Well, I'm sure you have your reasons for rifling through Miss Shameimaru's notes, just as you undoubtedly have just as good reasons for pretending not to be doing so now."
>"I would think it would be obvious? I'm asking questions of the person that I happened to see in Miss Shameimaru's house. And you?"
>"Hmm. Well, I noticed an intruder inside Miss Shameimaru's house and, finding the door to be open, entered and found her."
>Can we take a picture of the document she has taken?
>Write and read aloud, "Miss Ayatsuji, after much pressing, claimed to see herself inside of the house."
>"I assume you were looking into a mirror?"
>"Was that before or after searching Miss Shameimaru's documents?"
>Write and narrate, "When pressed, Miss Ayatsuki continued to pretend she wasn't caught going to Miss Shameimaru's personal effects."
>Write and narrate. "Miss Ayatsuki then made a poorly veiled threat to the reporter, referring to an earlier effort to "mind our own business" when being asked about why she was in Miss Shameimaru's house going through her personal effects."
>Snap a picture.
>if we can, zoom in on what she's reading and snap another picture.
>Write and narrate, "Miss Ayatsuji continued to dodge the allegations by attempting to change the subject, after trying to ignore the reporter's presence."
>Let's invite ourself in, and get pictures of everything she's rifled through.
>Do we feel she can make life difficult after being blatantly caught breaking into a house and going through people's things, with photographic evidence and police eyewitness testimony to back it up? Do we have reasons other than blatant corruption at the top to think she could escape from such without any real issues?
>Put away the gear, face her and bow. Ironically, but she probably wouldn't take it as such. "Madame, what is your question?"
>"Should is a tricky word. I had very good reasons for coming in here, so I did. Are you about to tell me yours?"
>Have a look around, is there anything else we find photograph worthy in here?
>Take a few photos, anyways. Aya might like to see them later, and possibly pay a pretty penny for it.
>While doing so, says, "One does wonder, though, how long have you been here?"
We have to be very careful not to give the implication that we were here for the same thing, or anything other than having seen her doing some B&E.
>Could we spirit photographize Momiji's note here, without making it a huge and/or obvious hassle?
>Also, she is showing interest in Ran, and by extension Yukari. Is this a thing considered seemly in tengu society, or is it kind of frowned upon? How is the gruesome twosome regarded in tengutown?
>Let's nab a picture of that note, and check it.
>If we can during the process, "So, you've found what you needed?"
>"Please do."
>"You mean you're sending me out of here with no story or leads or anything?"
>"So, you're saying it's no concern of mine that someone has taken to breaking and entering into other people's homes at their leisure, and then denying to give any explanation? Is this what you're saying?"
>"Well, you're half right. Breaking and entering whenever you like isn't entirely my business."
>Glance back toward the door.
>"But, Momiji, isn't that kind of thing exactly your business?"
>"So, what were you doing here again?"
> "Oh! You're completely correct."
> Turn to Momizi and gesture toward her.
> "You should ask."
>She doesn't actually have any power to stop a Dai-tengu in the middle of a break-in, does she?
>"It's weird, someone who claims to value good manners, sneaking into someone's house when they're not there."
>Do we have any idea where HER house is?
>What can a Dai-Tengu actually do to us?
>Supposing we caught her inside OUR house. What options would we have?
>What can she do to us in this situation?
> Would a Dai-tengu be able to get away with assaulting a non-Dai-tengu without bureaucratic repercussions?
>Would you happen to have an idea where she is?"
>Is that book she is reading distinct from the Yakumo article earlier.
>Now let's try to be tricky. Fold our arms behind our back, all contemplative-like and try to spirit photograph Tsubaki with that book. Preferably from an angle that lets us get a glimpse at the contents.
>Are there any other things out of place that it seems like she read? If so, can we see what they are?
>"Mm, that might be it. Got any messages you want to pass on when I find her?"
>Try to get pictures of those other papers, if we can, same position.
>"Should she pick up some more groceries before coming home, perhaps? Any dishes she needs to know about?"
>"Should I have a locksmith come around, perhaps?"
>Do we get a picture of that lock? If not, snap one now.
>"I was just trying to help clean up, since you're busy reading up on the Yakumos and stuff."
>"I find news interesting, and we can both agree this sort of thing is newsworthy."
>"Oh, would you have a recommended way to contact them?"
>"I could, I could. Could you give a place to get lockpicks, in case I need to jimmy a few open?"
>"So, you made your own, then? Could I commission a set?"
>"Oh no, I'm mostly done with my latest scoop's investigation. Have any final comments?"
>Glance to Momiji. "You ready?"
>Nod, and head out. Now that we have more time, look around for more signs of tampering in the hall.
>If we whisper, do we think that Tsubaki would be unable to hear us, or is dai-tengu hearing that sharp?
>Assuming we feel confident about it, whisper, "Do you think there's something behind that picture?"
>Then say nothing. Instead, walk up to the picture and very lightly pull it outward a little, and glance to Momiji questioningly.
>Lift it out and peek behind the picture, then check the back of the picture.
>Nothing behind the picture, either? Or signs that there used to be something on either which has since been taken?
>Assuming so, replace it as we found it.
>Make sure the angle is just so, then leave and keep leaving until we are confident that we are out of earshot.
>"So, we're in agreement she's up to something really bad, right?"
>"Not with the evidence stacked against her like it is, the only option she had was to try to intimidate us into doing nothing. I mean, a dai-tengu just broke into someone's house, and we caught her reading up on the Yakumo family. She can't even say it was some idle curiosity, because if it was she would have just sent some luckless flunky to do her dirty work, right? That means, what she's up to, she doesn't want anyone knowing about. So, what we need to do is take this right to the top, as soon as I get all these pictures onto paper."
>"Oh, and keep an eye out for some spiderweb, I'm going to need it."
>"You really think that the boss is just okay with the Dai-tengu doing whatever they please like that, when it's pretty clear they're up to no good? I mean, that-"
>Jerk a thumb back toward Ayahaus
>'-is not how a noble is supposed to act!"
>Deep breaths."Still,I believe you are right,Momiji.....It won't do me or Aya any good to be rushing ahead at this stage of the investigation."
>"Hey,what do you say of keep going for it by heading to Nitori's ?"
>Let's not say that just yet.
>"Hm. You think she may be acting on someone else's orders, maybe? Either way, this needs to go to the top, I think, and as soon as possible. Oh, and I need the web so I can use it to tell if anyone breaks into my house."
>"Everyone knows you have the Boss's ear and that he trusts you, Momiji. Why do you think she panicked for a moment when you came out? She just thought you were some random wolf, not someone she knows could ruin everything."
>"Wouldn't that be a problem for her, though? I mean, you could still be cagey and tell the boss that you were directly ordered not to talk about something of particular significance."
>Shrug.
>"You know what I mean, though. There's ways to get him to directly order you to speak, and being told not to would in the face of something like that would be a really big impetus for you to do it, and definitely for me to spread the word as far as possible. She might be playing on the idea that if she pulled out all the possible stops, you'd be more dedicated to getting around them. I think you would be, in any event."
>"Yeah, because it'd be the big proof she was up to something bad. And, well in your case, you can probably get the boss to order to you talk if you just dropped the right hints, you know? I think she's smart enough to know that."
>"What?"
>"No? What makes you say that?"
>"It's not about defiance when they're doing something blatantly wrong, though. Being part of an organization means you don't get to do whatever you want, and that goes for them as much as us. They're in charge because they're supposed to be a finer breed, and if they aren't living up to that then Tenma-sama has to know about it so he can deal with it, don't you agree?"
>Let's not say that just yet.
I would argue that's neither wise nor in character, given the circumstances. We have an obligation to prevent problems from arising within the tengu organization as a member of it. Right now,w e have specific knowledge of some incredibly shady goings on, and have a duty to act on it before the problem can become worse. When you witness a crime, you don't wait a few hours to call the police, you do as soon as you can. If we did spend however many hours/days it took to dig up Aya before reporting this, the response we'd get would be "Why didn't you tell us sooner?", especially if Tsubaki really is up to something more than being a snoop.
Afterward, I am pretty sure we can continue to go Aya hunting, I don't think we're going to be restrained from that.
My intuition spurs me to think Tsubaki is not only taking advantage of the situation to gain leverage against our second reporter while gaining another one for the sake of her newspaper ,but also that certain Dai-Tengu nobles might be up to something should an opening present itself.I meant to say that there's a high chance of finding extraordinary leads to go around eventual safeguards by exploring other potential routes,not limited to Aya. In fact I'm fairly sure * WARNING read Remilia Quest Tr? or skip this if you refuse spoilers *
Edit: Even if we did drop it, we need to go back home and secure our stuff. We've made an enemy of someone who is comfortable abusing power and willing to do B&E work. Even if we don't take preemptive steps to neuter her as it is, we should at least take steps to secure ourself.I agree on that point,which everyone else forgot to mention.
>"Maybe it's something that a K9 just won't accept.
>"It's not about rage, it's about what's right. And what's right is to make sure that the boss knows what's going on, for both our good and everyone else's, before she screws up something major. But only you can do that right now. I can't stop her, not really, but you can."
>"Maybe this is another difference between us. I'm not just a Tengu, not just a Crow Tengu, but a journalist Crow Tengu. My existence depends on the belief that people need to know things; that secrets are dangerous, and the best defense against corruption is transparency. I can't ask you to do something you don't belive in, but I will try to resolve this my way. To do otherwise would be to deny who I am."
>Grin
>"What, and let her steal the glory?"
>Take on a more somber expression. "I guess you know best about your influence of Tenma-sama, but it wouldn't just be your word. I did get a bunch of photos and stuff, and think that ought to be enough to at least put the official eye on her and slow her down in whatever she's up to."
>"And I'm serious about that spiderweb, so let me know if you see any."
>"I dunno, I think it's better to strike fast in this case so she can't do whatever she's up to without any problems, and buy us some time that way."
>We are heading toward Hatatehearth, yes? If not, let's get on that.
>Nod. "Yeah, and we're already in the tornado, so we might as well try to get it right."
>"Well, she was alone in there, and it's only been a couple minutes. We might get followed yet."
>"Just one big one ought to do, I think."
>Nod. "That'd be perfect."
>"Oh, good."
>Wouldn't want to get in their way.
>Go harvest some webs, and try to be respectful of the local arachnids.
>Then resume the course home.
>Smile and wave.
>Exactly how young?
>Put a finger up to our lips and go "Shhhh."
>"Just needed to borrow some of your spider webs. It's our little secret, okay?"
>Wink, then return to Miji and the course at hand.
>How do we activate a chibi transformation, say our crow shape or Momiji's mofuji shape?
>"Come on in and take a load off if you want."
>Head inside.
>Begin to assess the place for break-ins. What sort of valuables do we have that may be stolen, or items we have that we use for writing, laying out, and making our papers publish-ready, and contemplate ways to hide or secure them.
>While doing this, go to each window, and place a strand of web between the frame and the window pane in such a way that it won't be visible from the outside. Ideally, if the window is opened, the strand will be broken and it will be easily overlooked by those who do not know it's there. If we can, try not to be too easy visible from the windows while doing this.
>She is a really helpful person. Are all wolves like this?
>Cleanliness and hygiene status.
>Food/drink status.
>Smile."Thank you for the big help,Momiji."
>"Now,if we are finished here,I'll make a quick cleaning break as my fingertips feel a bit gooey from those spiderwebs".
>Grin."Would not want to make a slip in a crucial shutter chance now,would we?
>Reach the nearest basin,bathroom or kitchen, to wash and inspect your hands while carefully avoiding the tripwires.
>How much time to we have until we need to get the next issue of our paper ready to go? How long do we have until it's time to start it if we want to be finished in a reasonable amount of time?
>Shame of all Tengu may require a special edition... but later.
>"Alright, Momiji, I guess I'm ready to go. But, are you sure we leave this thread dangling?"
>Ponder if we actually could ask the Yakumo family while someone what Tsubaki would be interested in them. How are their relations with Tengupolis?
>Nods. "Yeah. I'm asking you as a person handling our town's security, are you sure we should leave this unreported?"
>"And you really don't think that the boss is going to take notice, even if you're putting your name on the line, and I'm providing the pictures?"
>"Mmm. I think there is one more angle we could follow, but it's a risky one. We know she was reading about the Yakumos, right? We could look into them, and see if they are up to anything. Or, perhaps, about to be the victims of something?"
>Can we take pictures of past events, or just things in the present?
>If so, can we get pictures of what Tusbaki was doing during her entire time in Aya's house?
>We wanted to find Aya, and so we looked in her house for clues as to where she would be. Are we any closer to knowing that?
>Can we ... take a picture of Aya where she is now?
>Okay. We know Tsubaki broke into Aya's house. So, let's begin with that at the beginning while Momiji spoke above, and get a new photo every ten seconds from the beginning of that event. Or, if we have to have a definitely starting time, get a picture from when we know she was there and work backwards.
>No, we want to get pictures from when she broke into the house, until we approached her.
>Start taking pictures from the moment we walked in, and move backwards every...let's say fifteen seconds.
>Continue. Are these the only two books she looks at?
>What sorts of things does Tsubaki examine during that last bit?
>Get a picture of the hall at -19 minutes.
>Continue to work back every fifteen seconds, and try to follow her path.
>Presumably, Momiji is looking at these too. "She's really confident no one is going to walk in and catch her in the middle of that, isn't she?"
>Delete the preening photos, then examine what she was doing in Aya's study via 15 second lapses.
>"Oh, yeah. Sorry. Help yourself."
>Make a list of the titles of those books that we can see.
>Adjust the angle, so we can see what she's looking at while perusing that compilation.
>Have we perused that book? If so, do we remember what it said in that section?
>Resume doing 15 second backphotos to trace Tsubaki's actions.
>"That's fine, as long as you didn't use it all up."
>Blow on the tea and then have a sip when we feel it won't render us mute.
>Keep going back. Delete useless pictures as needs be to make room. Take note of books she does take out and glance at. Should she leave the room, try to follow her out, so to speak.
>How unusual is this sort of thing, and why don't they do it more often?
>"Don't think she found it, either."
>Tack back to the last thing she checked and increment forward to make sure she didn't find anything.
>Then return to the point we were at and continue tracking backwards.
>Before that, focus outside of the house, let's see if she actually forced the lock, or just found it that way.
>"Well, I'm not sure what to assemble this evidence into. We need to find Aya."
>How fast can we fly?
>How fast can Moemiji travel?
>Before going through with it,let's jot down on our phone all the titles Tsubaki was browsing since Aya or others might find an important connection we or Momiji couldn't grasp.
>Beckon Momiji to come close and peruse the scenes together.
>Read over the list of books and such she's gone through. Let's see what common threads we can find among them all.
>"Definitely have my front page with this one, though.">Set this as our wallpaper, and replace the old one of Momiji doing pull-ups.
>By any chance, is the Kappa book about Sophrosyne?
>"Oh, nothing rash about this. She's brought shame to all tengu, and she's not getting away with it."
>Now, let's continue the process from when we left Tsubaki, and take a picture every 15 seconds ahead of that.
>"We need to see what she's up to after we left."
>Let's retake those marriage record photos from an angle that would let us read the records.
>Peruse it. Try to deduce what might have upset her.
>Do we know Reiuji Utsuho?
>Has Aya written about Reiuji Utsuho, precisely her past and possibly her parentage?
>Indicate the part where she grows flustered to Momiji.
>"Hey, any idea who she's looking for? Or what?"
Wait, I think my alphabetization is off. Re comes after Ri in Japanese, doesn't it.
>Who do we know with a name starting with Ra?
>Keep skipping forward until something else of interest happens or she leaves.
>Do we know how Aya keeps her darkroom defended, given we know Tsubaki can get through locks?
>If not, let's pose this question to Momiji.
>"Mmm. Good for her. Well, at least Tusbaki didn't do any more damage."
>Finish off the tea.
>"Let's go find Aya. Think looking around the kappa would be a good place to start?"
>Do the kappa get much contact from the rest of the world?
>"Right."
>Give things a once over to be sure that we haven't overlooked anything.
>Once this is done, head for the Moriya Shrine and lock the door proper.
>"Sure thing. Do you want me to come along, or would you prefer to go on your own and meet up somewhere?"
>"Great, a character witness. Let's go!"
>Is it common for Dai-tengu to have servants?
>How do we, and tengu in general, feel about deception?
>"Don't worry about me, I can be as devious as an oni."
>Grin.
>"Just kidding."
>"Perhaps if I suggested it was research for an article, without letting any further details on? Do you think it's possible that would get back to Tsubaki?"
>"Mmm. Hard to be causal about that. Last time anyone's spoken with Aya was awhile ago. I'll have to think about it a bit. Maybe if I mention I'm thinking about hiring a maid?"
>Do we have any reason to suspect our mother of being a kappa?
>Presumably, Dai-tengu have internal rivalries. How bad can they get and how far can the extend?
>Actually, which living relatives of ours are notable, and that we have notable relationships with?
>Flying casually towards the guardpost ...
>"So, was it a good party then?"
>"I understand. Sort of a pack bonding thing, right? and you were able to cut loose a bit more than otherwise."
>"Are there any particular stories that Juna likes to tell that I could prod her into without difficulty?"
>"Whatever you think will get the ball rolling."
>What does the forest look like here?
>Follow dat dawggie
>The apple orchard soon passes beneath you and Momiji as you press on up the mountain towards the guard post in question. With Momiji leading the way, you have an easy time matching her pace. The wind picks up as you travel, a chilly breeze blowing in from the northeast. It carries the distinct scent of incumbent snow, probably sooner than you had predicted earlier.
>Fifteen minutes later, a curious sight appears in the distance. Amidst a small break in the trees, near a very small creek, you can see what appears to be a black dome. A hemisphere of perfect darkness, and Momiji's trajectory appears to be taking you directly towards it.
>Does this seem to be a structure, or a something less building-like?
>It's not a darkness youkai, is it?
>Have we read Aya's articles about the Scarlet Mist incident?
>"What is that thing?"
>Did we make our own article on that and other early incidents?
>"Fighting?"
>What weapons do we have?
>"and the darkness?"
>How closely related are Tengu, specifically Crow Tengu, to Raven youkai, or Yatagarasu, or Kenku?
>"Oh well, guess we'll just have to wait it out, and hope she comes out with her jaw intact, huh?"
>Contemplate a photo. Would a tengu interest story on friendly roughhousing among the guards interest our general audience, or be considered uncouth?
>The Shogun. Lord Tenma?
>There are a lot of Tengu. Are there a lot of other residents of Gensokyo as well?
>Watch the dark area. Snap a picture of someone getting tossed out.
>Is there a market for prurient periodicals? Does Aya publish Pantsweek?
>Is the roof intact?
>Follow Momiji down there once she sets out.
>Quickdraw notepad and pen.
>Simultaneously zip around the inside of the building, scribble notes, and introduce self.
>"Himyname'sHatatatatateHimekaidouI'majournalistIt'snicetomeetyouThisisaninterestinglookingbuildingHowoftendoesthissortofthinghappenWhat'syournameMine'sHatatatatatebutyoucancallmeHatateYou'reawolftenguright"
>Deep breath.
>Let's not do this and act with some semblance of being a functional being instead.
>Glance around, then introduce ourself. Note anything that looks interesting enough to note down.
>"Kakashi Spirit News, yes. That was quite a scrap the two of you were involved with!"
>"Oh, it happens. I'm sure you'll get her next time. What was it like in the middle of all this, though?"
>"Hatate Himekaidou, it's a pleasure to meet you."
>Take that hand, be ready to countersqueeze if he squeezes too much.
>"Momiji and I have been looking into things, and discussing a few domestic affairs."
>Does it seem like our former maid is paying attention? If so, add "I was pondering a pros and cons of hiring a housekeeper, actually."
>Peer inside.
>"Oh, we come whenever we take the notion. But like I said, mostly I'm just following Momiji today. Mind, crow reporters are also a topic of discussion. I'm rather wondering if anyone has heard of Aya's whereabouts recently."
>"I'll be sure to ask."
>What was the last word on the plant things, anyways?
>What was the last word on the plant things, anyways?
>We still don't know wherethe plants came from? Did anyone ask Yuuka?
>Did we ever get a faceful of spores?
>"No further word of the spores, I hope?"
>Another scoop! Aya is going to be paruparu when she hears about this!
>"Armored youkai? Who was that?"
>Smile. "Maybe if you tell me a little more?"
>Wink.
>"Sounds fair ... but the deal's off if someone else gives me the info first. And the bar won't open for several more hours."
>Don't wink. We don't need to lead the poor schmuck on that much, it's just mean.
>"Tempting, but I do have work to do."
>Are we a problem drinker, or can we walk away after a glass or two?
>"Mmm, maybe."
>Grin
>"You wouldn't have happened to work as a housecleaner, would you?"
>Do we have a mean lawn?
>"Shame my yard is so amicable, then."
>Chuckle.
>"I hope you're a subscriber, if you're gonna be saying things like that!"
>"Yeah, but there's worse, shall we head in?"
>"Good morning, but just call me Hatate. And you are?"
>"It's a pleasure. I assume you were the one that was sparring with Gen a moment ago?"
>Difference between halberd and naginata?
>"How does that darkness hold up against a good wave of danmaku, out of curiosity?"
>Observe Karen appraisangly and then say:" I see. Rather honorable on your end,gained a point of respect to me.However I'd like to add a bit to it,if you don't mind".
>Wait for her reply and push forward with:"Per spellcard rules,one own's powers have to be held in check but they can still be used to a point if one so wishes....?
>"...Might be worth a shot to hone prowess or gain experience in both dueling systems for every tengu involved and I also recall hearing of youkai using darkness and blindess"
>"I think it would be fair if you put it into a spellcard."
>Pfft, whatever. Just have familiars do the real work and you're fine.
>However, we do not vocalize our disdain at such hubris. Rather, "Interesting. Speaking of Aya, I assume there's been no news or rumors of her lately?"
>"I didn't think there would be news, but if there was this would be a good place to start. Mmm, let's shift topics a bit. I've been contemplating an article on the role and experiences of domestic servants in town, do you think there'd be any interest in that?"
>"Oh, of course. That alone would make it worth writing. But my goal would be to reach out beyond the maids and housekeepers, and see if there is broader interest. But, I think I'll do it in either case, once I gather some proper information."
>"Mmm, well. What do you feel is relevant for people outside the business to know?"
>"Well, I was trying to be polite and not obligate you if you didn't want to be. But yes, an inside perspective would be nice. As well as things that insiders would like to hear as well."
>Prepare notepad. There may well be a real story in this for when the news is slow.
>"I'm just going to get an outline now. If it runs too long, well, I'll cut it short and get more later."
>Nod. "Seems reasonable enough. So, where to begin?"
>"Recruited, huh? Tell me a bit more about that."
>Have we heard of this sort of job relocation? Is it a modern thing?
>"Interesting. Go on?"
>Nod, take notes.
>"I could imagine; there must have been a lot of learning things the hard way. How were your experiences with Miss Ishitaka?"
>Examine Juma's tail.
>We are taking notes, right?
>Chuckle and smirk. "Shall we leave that off the record, or would you prefer it be central to the record?"
>"How long were you with the Ishitaka family?"
>"All right, whatever you can tell me is fine. So after you left the Uematsus you joined up with the Rangers?"
>"What did you think of her?"
>"Both, if you would."
>"I'm guessing you got along with her then?"
>"So how did you get here from there then?"
>"The Shogun noticed you more than Ayatsuji's guards? That's impressive."
>"Heh, so I guess you and Karen know each other pretty well by now."
>"I suppose the Ayatsuji would be a much easier tengu to figure out."
>"Really? How does she deal with other Dai-tengu?"
>"Levels of politeness are often a thing difficult to grasp from the outside, aren't they? Let me ask it like this, did she generally get along with Dai-tengu with lesser standing?"
>"Hmm. Well, how did she get along with Karen for example?"
>"Sure, go ahead."
>"...How did she get away with that?"
>This might be our page three picture!
>"I'm surprised she didn't try to have action taken against Karen for going too far or whatever."
>"Well, all right."
>Close notepad.
>"So, did she do anything more subtle instead?"
>Nod and open pad again.
>"Did you ever witness her being impolite to dia-tengu of lesser status, or did she tend to watch her step even around them?"
>"Well, you have me curious, but I won't prod too hard if it's a painful memory."
>"But that's ... ! Now I'm even more curious. I can't ask you to go against your moral code, but ..."
>Flutter our wings with excitement.
>"Darn it Juma, I WILL find out about this."
>Add quest.
>"I don't suppose you can tell me who the other party was?"
>"All right, all right. So, anything more for my domestic servants piece?"
>Grin. "Oh what, you're asking me questions now? Are you going to write a newspaper column? That would be interesting; I don't really have any rivals aside from Aya. But, if it's a one-off, I could publish it in my paper..."
>"Wait, you've never heard of the Kakashi Spirit News? Only the MOST factual and informative newspaper on the mountain? The Bunbunmaru is good if you want gossip and breaking news but for hard facts on events that concern the discerning reader there's only one reliable periodical: mine."
>Do we charge money for the newspaper?
>"Well, circulation and brand recognition are not yet among our strong points. If you like, I can set you up with a subscription for a nominal fee."
>"Sure, of course, the Bunbunmaru is a perfectly good newspaper."
>Droop wings.
>"I guess that's everything. Thank you for speaking with me."
>"What?sorry I was caught up in the Mafia suspenseOh, right."
>Quickdraw notepad.
>"Hello, we were just finishing up this interview."
>Turn to look.
>How does one use such a weapon without lopping their own limbs off?
>"Better with your usual sword and shield, eh?"
>Is there much call for actual weapons in the age of danmaku?
>"Do you feel like carrying it with you, or would you prefer to leave it back at home, first?"
>Would our investigative talents be able to ferret out any other hidden features? Like say, the weapon separating at the handle to become two swords instead of one.
>"Hmm....This is just speculation, but do you think one of the features is the old 'one sword splits into two' trick?"
>"Best to stick with what's comfortable, I'd say."
>"Does the Shogun do this kind of thing often?"
>What have we heard about the current Shogun?
>"So you used to use a weapon like this?
>"Ooohh, maybe it's a special order encoded in the form of an expensive weapon! What can you recall about the time you used warblades, especially anything having to do with Oda-sama?"
>"Well, I bet we'll figure it out eventually. Oh, should I interview Karen now?"
>Wonder if any tengu have mastered sword-chucks.
>"I would like that very much."
>Is that on the way to the Moriya shrine?
>"I think I may have a few things to ask. Shall we meet again, then?"
>"Well, not right now, but you do have to talk with Oda, do you not?"
>"Maybe on the way out. Let's visit the shrine, first?"
>"I'm at the point where if something was heard, I imagine people would be volunteering it."
>"If anyone heard anything about Aya, they would be excitedly volunteering it."
>"We figured the shrine would be a good place to start. But Momiji needed to come here, so I felt it would be best to make use of the time."
>Dismissive wave. "You're no less helpful than anyone else, myself included. Think nothing of it."
>Make proper goodbyes and leave once Momiji is ready.
>"Mmm, maybe. I think it's more that we just need to have more of in interest in reporting elsewhere."
>"I'm sure people will forget about her soon enough, once I get another edition or two out."
>"I got a few things. I think I need to speak with Karen about some little details which could be very interesting."
>Nod. "Yeah, I hope so. I think she'll have at least something interesting to say."
>"I hope that's not a comment on my paper, now."
>"I'll have to avoid that neighborhood, then."
>Is this some 'treasonous' sentiments from Momiji? Interesting.
>"Well, let me rephrase. I'll have to visit that neighborhood often, and buy exclusively from Karen. Perhaps I'll allow her a cheap ad?"
>How do we typically regard faeries?
>"Let's go around. I don't feel like fighting right now."
>Tease her.
>"Three quarters of a mile? And you noticed them only just now?"
>Do faeries often slip around the white wolves' perimeter like this?
>Tengu inter-caste breeding?
>How do we feel about chickens, or yakitori?
>Do we have anyone's phone number besides Sanae?
>"Wonder how they got here?"
Nod. "Shame we have to take the long way around, but I didn't think to bring a bag of sugar to distract them with."
>"Thanks. Oh, I just realized, we should call and let Sanae know we're coming."
>How long does the flight take usually?
>Ring ring ring ring ring ring ringbananaphone
>"Hey, we're going to be coming to visit the shrine and talk for a bit."
>"Me and Momiji."
>That wasn't a dream, that was Reimuquest. But this is Hatatequest now, so you have to switch gears.
>"Only you can answer that."
>"Sorry to hear that. We'll try not to keep you for too long."
>"Alright, we'll be there shortly."
>Pocket the communicator.
>"She's been sleeping off a danmaku party, it seems."
>It is, right?
>Nod.
>"We'll have to find out all about it."
>"It wouldn't surprise me."
>Is said deity known for making up events as an excuse for danmaku?
>"That'd be nice, yes."
>Are we familiar enough with the shrine to avoid Suwako successfully?
>Onward!
>Let's give her some distance and head for the main entrance.
>Do we recognize the tanned person?
>What do we normally think about eavesdropping?
>Let's land nearby and wait for Sanae to finish up with the current conversation.
>Approach.
>"Good morning! It's thepure and honestHatate Himekaidou, journalist."
>"I've been doing all right. Just today I scooped up some nice material! Related to that, I'm looking for Aya. Have you seen her recently?"
>"Well, when was the last time you saw her?"
>"She's been gone since then, so I decided to go look for her. "
>"Well, I've had some success today, but not in locating Aya. If she wasn't missing, I'd be proud of scooping her this much!"
>Extend hand.
>"I'm Hatate Himekaidou, from the Kakashi Spirit News. What's your name, and would you be interested in signing up for a trial subscription at an introductory discount?"
>"Mmm, I humor Aya to let her think of me as such. Where did you see her?"
>"Oh my. Did she take some embarrassing photos? And, about that introductory rate?"
>"How about a drop off point. How does Kourindou sound?"
>Does Gensokyo have any sort of homesteading?
>"Very well, then! That'll be <The usual price, and let's give a 15% discount on that>."
>Collect payment, issue a reciept if we usually do that, note down subscriber's name and place of delivery for updating the master list later.
>"It's a pleasure, I assure you. Keep your eyes open for a special edition within the next week or so, if all goes according to plan."
>Do we recall Aya being an attorney?
>"What kinds of places did she rattle off? Did she say anything else?"
>Do we know what might cause Marisa to sit an incident out?
>"That is pretty weird. Did she add anything else?"
>Do we know about a cobalt keep?
>If not, ask, "Cobalt Keep?"
>"How do you get there?"
>Where was Momiji going?
>Any organized sports the Tengu play? Yakyuu, perhaps?
>What I'm trying to ask is do Wolves chase balls?
>"How long are you going to be around?"
>"Yes."
>What kinds of travel times are we looking at to get to significant regions of Gensokyo from here?
>"Looks like we both picked up a subscriber."
>The major ones; human village, SDM, Eientei, Korindou, Kappa Town, the Ancient City, Hakugyokurou, the Sanzu river, and so on.
>the Hakurei Shrine,cat planetMayohiga, Garden of the Sun, Bhava Agra, Lunar Capital
>"It'd take me a few hours to go everywhere I'd like to, though. Is that okay?"
>Bloodthirsty, ain't she? We may have to page through some criminal reports someday...
>"Got any suggestions to add, Sanae?"
>Shake head. "Not yet."
>Nod. "I'll definitely have to keep that in mind."
>"Okay, I'm gonna go investigate. Try not to keep you waiting too long, Honoka."
>Once goodbyes are said, and assuming there is no other business, take to the air and head toward the Hakurei Shrine.
>"It wouldn't be the same number of years that you haven't used a double-bladed sword in, would it?"
>Given we're kind of a schlub, what do we know of Tengu formality?
>"Think she used to hang around in the old days?"
>What do we know about those guys?
>"Well, there you go then. We can always ask later."
>Given how we don't like to not know things, why have the Tengu been isolationist at all?
>How close are the Tengu and Kappa communities?
>Do many Tengu worship Kanako?
>"I know what you mean. Heh, maybe there's a story there."
>Has there been anything interesting to see on the way?
>Nod. "Too true."
>Onwards!
>Let's try to see who's involved.
>"What's the challenger look like? Is she human?"
>How hardcore is Hina's danmaku, in our experience?
>"If she can't handle Hina, she should stay away from the Mountain. "
>"Sounds like some low class thug type to me, Is she giving Hina any trouble?"
>"Mmm. Well, if she causes trouble, I am sure Hina wouldn't mind some help. Always best to be on her good side."
>Approach.
>Before that, glance to Momiji and say "Who's that hiding in the trees there?"
>Approach the sherpas.
>"Hey girls, what's new?"
>"Ooooh. Yeah, I get you there. Who's that out in the trees?"
>Have we heard of her?
>"We're just good enough it looks like that, you know?"
>"I assume you know of Aya? I'm a former student of hers. She happens to be missing."
>Does the battle seem to be over?
>Observe for a moment, see if she pushes her luck.
>"You want her, Momiji, or should I?"
>"This just became newsworthy, I think."
>"I'm the best kind of reporter. And what about you?"
>"Never heard of you. Who do you manage?"
>"...well then?"
>What kind of manager introduces her talent to a reporter like that?
>"It's a pleasure,"
>Small bow.
>Nod. "That's just how some people are."
>"That's some title you got there."
>"Might be. Where are you from?"
>Can we determine her species and such?
>Nod. And let's note down the singer's information, just in case.
>"Is this your first tour?"
>"What sort of work have you done before this?"
>"How much of a trip was that from underground?"
>"A waitress for cats?"
>Allow her a little time to articulate.
>"Well that's unusual. What'd she have to say about that?"
>"Did Yukari say why or anything? Or did she just zap you up here and then run off giggling?"
>"Go on. And when was this living room visit?"
>"Oh I've heard some things, alright!"
>"And there was no explanation when she brought you there before this meeting? Nothing at all?"
>"Do you remember her answer?"
>"But what you're saying, essentially, is that she kidnapped you. Have you been able to get back home since then?"
>Nod.
>"So. Did you have any friends or family, or things that were important to you that got left behind?"
>Nod.
>"Good friends will fill up the gap nicely, trust me. What about your home and your possessions, though?"
>Nod some more. "I suppose that's not too convenient. What did they have you doing at Mayohiga, in particular? Did you have a good place to stay?"
>"And what all did they have you do in return?"
>"Whatever they asked. They did ask for things, right?"
>"Huh. Free ride, then. So what did you do around there instead?"
>Nod. "Yeah, it seems that way. How did you get along with the people there?"
>"No shame in that, is there? So, what brought you out of Mayohiga, anyways?"
>Nod.
>"So, where what you played since then?"
>To Daliah: "How's your gross been?"
>"How much black ink?"
>"And how much was that, precisely?"
>"Why not? It's important to know how much an up and coming star brings in, don't you think? That's how you can tell people are actually coming and the whole thing isn't just a bunch of wind. Wouldn't you agree, Miss de la Vega?"I don't think Hatate would use the word "wind" in a disparaging way.
>"Why not? It's important to know how much an up and coming star brings in, don't you think? That's how you can tell people are actually coming along and the whole thing isn't just a bunch of hot air. Wouldn't you agree, Miss de la Vega?"
>"Himekaidou."
>"Hatate Himekaidou, managing editor with the Kakashi Spirit News. May I take your photograph?"
>"After you answer the question, of course."
>"So, you're saying you haven't even counted up the money? Isn't that a little strange?"
>"I dunno. This is getting pretty suspicious."
>Glance to the kappa band. "So, how much has she paid you?"
>"So...you guys get some spare parts, and Miss Yogan gets a pretty dress and probably some food. It sounds like Miss de la Vega is robbing you blind."
>Make sure that carries, and be ready to snap a picture if she has a fun reaction.
>"It's only an insult if it's wrong. And...well, we see how much she's squirmed when asked about the money in front of you guys after boasting about it. And when we look at what's been said about your compensation... Sounds to me, Miss Yogan, like she's taking advantage of you not being up to speed with how things work up here."
>To Momiji: "What jumping to conclusions? It's pretty obvious they're being had. There's no other reason to be so shady about it unless something criminal is going on. And It's not like there hasn't been chances to prove it isn't."
>Cross arms
>"If there's evidence to the contrary, let's see it. If I'm wrong, maybe I'll see about pulling some strings and getting you up the mountain."
Was that supposed to be intentional? Because it really is kind of a trademark of exploitational relationships. The people involved generally unconsciously undervalue themselves, and tend to be really defensive of their exploiter, from whom they derive a sense of worth. It didn't occur to me until now that might not have been what you were driving at.
Was that supposed to be intentional? Because it really is kind of a trademark of exploitational relationships. The people involved generally unconsciously undervalue themselves, and tend to be really defensive of their exploiter, from whom they derive a sense of worth. It didn't occur to me until now that might not have been what you were driving at.
How much of a social reformer is Hatate?
Less jumping to the conclusion but rather there isn't much to support any other conclusion. And when asking for such evidence is met with evasion and then stonewalling... Thus asking for something concrete.
Also,it's not really social activism so much as journalistic obligation to expose wrongdoing. Which I assume Hatate would take at least somewhat seriously, even if all she did was run a gossip rag (as that's the best kind of gossip).
>"That's kind of a common thing in exploitation cases, actually. Emotions aren't proof, though. You can feel strongly about the wrong thing. So I want to see something concrete."
>Nod.
>"I'd still like to see some evidence, yeah. Because if she's as good and successful as you claim, you ought to be raking in the dough."
>"Because I figured you would have said that outright."
>"If it's the case, then sure."
>Nod.
>"Well, I guess I can understand that. We'll talk about it later."
>"So, what venue were you looking to set up at?"
>I'm assuming the issue is letting non-tengu
>"Well, there's an old saying: if you can't bring the daimyo to the mountain, bring the mountain to the daimyo. I'm sure you've thought of publicizing your events more widely and drawing in the crowd from out of town?"
>"We'll set up a giant megaphone on a tower that will blast your music past the ranger patrols into the heart of Tengu territory."
>"But before doing so, it might be better to tour a bit around as far as the Kappa Village to make yourself indirectly known on the Tengu border too as to raise attention yet not the untoward kind."
>Look at the entire group."I'm not saying this to discourage you but ,unfortunately, you have arrived at a time where things have been hectic for the mountain and for the Tengu in particular".
>"It was a cold windless morning. Slowly, from out of the fog, came GIANT PLANT MONSTERS of RAGE. The streets were full of panic and hysteria. Many did not survive."
>Waiwaiwaiwait. Was that really how it was? Aya's the one who exaggerates stuff, not us.
>"All exaggerating aside, it was messy in both a literal and figurative way. I'll leave it at that."
>Look ribbonward.
>"What do you think Hina?"
>Actually do we have a slogan?
>"I report on noteworthy events."
>Do we know any good venues in Kappaburgh?
>Ask Yogan "Have you fought gods or shrine maidens before?"
>Do we know any of Sanae's friends? Kogasa, Nue, Reimu?
>"Well, I'll tell you what I have in mind. I'll put in a good word with the shrine maiden at the Moriya Shrine. That'll be a cinch. It won't get you in the door, but you'll at least be able to meet with her and knock her off her feet. Assuming she doesn't take the notion to toss danmaku at you. That happens sometimes."
>Do we have any actual pull or connections in Kappaton? Particularly with people involved with the Stadium?
>"As for getting a venue with the Kappa, well, I don't have a lot of pull there. But I can put in a vote of confidence."
>"Which you going to first, the temple or the town? I'll get you a quick note for the shrine maiden if someone has some paper?"
>Write out a note explaining to Sanae that these guys are cool and that they should be given a shot; let the singer sing and she'll again. Sign with a flourish and hand it off to Daliah.
>"Now, Hina isn't wrong. It's dangerous up there. So take it easy and be sure not to push your luck. Even pilgrims have it hard."
>_
>Yeah, that's what they all say.
>"Interesting. Either way, I'll see about being there to cover your first night if everything goes well."
>"Hunting for a certain reporter who got herself lost. You wouldn't have happened to heard about Aya Shameimaru, would you?"
>Don't bite the scammer, now...
>"I meant recently."
>"Which snake woman?"
>Rainwall?
>"I was intending to look there, thanks for the tip!"
>Nod. "Good luck, then!"
>Make sure Hina lets them through, then head toward the Hakurei Shrine.
>Along the way, assuming Momiji follows, ask, "Rainwall?"
>"Well, I guess Aya's not going anywhere at this point."
>Let's observe the fireworks. And pictograph 'em.
>Have we ever seen anyone else pull off a similar feat as to what she just did with a single spellcard?
>Write down everyone's names, the names of spellcards, and a brief summary.
>Float along toward our prior destination while talking.
>Wave if we get any goodbyes, but stop if we're asked to stop.
>Float along toward our prior destination while talking.
>Wave if we get any goodbyes, but stop if we're asked to stop.
>"So, what's Rainwall?"
>"Huh. Must not have been very newsworthy."
>"Exactly."
>"Maybe. Or they could just be really secretive and stingy with them."
>Ponder what we know about Kappastan mechanics; is there anything that it seems like they just don't do as a whole?
>"Reimu has interesting secrets, though."
>"No no, Reimu has interesting secrets because she's Reimu. Even her dull secrets are interesting because of that. No one care about some random breakaway kappa unless they're obviously up to something. I may look into them later, though, just to make sure."
>"Heh. Even Aya can get the basics right, I suppose."
>Shrineward!
>"No, but I've read mentions of her in Aya's articles about the Yakumos."
Never saw that update. Whups.
>"What're they up to?"
>Nod and proceed.
>"Having fun, you two?"
>"No, no. She's a wolf tengu and I'm a crow tengu. There are no ah tengu. Why are you guys sweeping out a shrine?"
>"Well good job. Are they on their way here now?"
>"Well then. Anything important, or just a social call?"
>Have we ever for reals dealt with Yukari before?
>"I don't imagine they'll mind if we join them, then."
>Like we're gonna let a bunch of lesser youkai see us sweat!
>"But first, can I take a picture of you in your miko outfits? You look so cute!"
>Smile at Kogasa. "I like you now."
>"It was a fine idea. Smiles, now."
>Ready camera.
>Ignore the hound and get that picture.
>"Thanks!"
>Once last pleasantries are done, head for the door and knock.
>Okay. Okay. We already dealt with a Dai Tengu today. This isn't even a tengu at all! It should be easy.
>"Wouldn't it be rude to come in and not make conversation, though?"
>"Oh, okay. Just didn't see the daylight between the two."
>"It doesn't hurt or anything, right?"
>Not even a tengu, nothing to worry about.
>"Naw, no need for that. I'm coming in."
>Enter!
>See, not even a tengu. She doesn't even have wings! Probably.
>Give a polite bow and look for a nice place to sit.
>Rapidly search memory, is this sort of thing we expect from these two?
>Quietly say, "I didn't realize I was intruding."
>"Ah, you may already know this, but I am Hatate Himekaidou, editor for the Kakashi Spirit News and former student of Aya Shameimaru."
>"Among other things. Regarding Aya, I don't suppose you've seen her lately?"
>Lesser youkai, no wings. Nothing to be worried about.
>Prepare ourself ahead of time for whatever weird sensation may come when speaking
>"Huh! What're they working together on?"
>I would like to interview Miss Ran about this.
>"But it would be fine if I found her on my own, I imagine?"
>Nod.
>"This is true. But let's set it aside for the moment. While there is little you can tell me about Ran, understandably, perhaps there is more you can tell me about Aya currently?"
>"Where has she been staying, for instance?"
>"Yeah we can see. What sorts of places has she stayed at?
>We will go visit witches in the forest of magic next.
>"Before we go, could I get a photo of you two?"
>"Oh, just you sounded eager to get rid of us just there."
>"Eh, just the words you used. Anyway, there haven't been any other tengu involved with this, have there?"
>How is a grin ghostly?
>"Yeah, besides us."
>"Could be. Hey Momiji, you wouldn't happen to know of anyone important who's been leaving town a lot, lately?"
>"But people would talk about it, right Momiji? So unless they were sneaking out, you'd probably hear about it?"
>"So, that means unless someone could sneak out, chances are there wasn't anyone leaving, right?"
>Are the Yama-Bushi anything like Enma samurai?
>What do we know about the recnt Yamabushi situation?
>Do the yamabushi maintain their own perimeter guard, or do the wolves handle their external defenses as well?
>Do we know any notable yamabushi that immediately strike us as someone who would conspire with Aya or a Yakumo?
>"Mm, might have to look into them, as well."
>"Heh, sure thing. Now, about that picture..."
>"Well of course not, you aren't a reporter."
>Prepare while they were talking and set up a nice shot to get both Yukari and Reimu.
>"Smile, please!"
>"Reimu's never happy."
>Check the photo's quality.
:toot: I wish Happy Saint Silvester,Happy 2014 and a Future Happy Epiphany to anyone who reads this message.!/color] :toot:
>Reach out to the White Wolf and pat her on a shoulder giving out a reassuring yet not condescending look :"Now,now Momiji. It is not the act of taking a picture in itself,but the use it will be done with it; as I was taught by our Tengu master journalists and photographers and have come to see realized by a few run-ins of a certain seasoned colleague of mine."
>"Oh ,to speak honestly,it is not like it is claimed she is the only one swayed by the prospects of....Untoward utilization...Certainly the most infamously famous out of the crow coterie.A topic I may need to look into for another time, for another informative experience as a Tengu reporter."
>Bow. "Thank you very much."
>"Mmm?"
>Haha, no that sounds just fine.
>"Are you alright?"
>"What was it, then?"
>"Oh. Did you just hit you hand, or did something sting it?"
>"Well there's something I never thought I'd hear!"
>Let's not say this. We're not close friends with Yukari.
>Really? So, I guess you can't gap me to Aya then.
>"And that is?"
>That sounds intriguing to me.
>Groan a good groan.
>Look around.
>"Isn't this where we were going anyway? I wonder what Yakumo-sama had in mind if this was the backup plan."
>"Yeah, probably. Want to go check on the witch?"
>"Oh no. Is it Ayatsuji-sama again?"
>"Let's do a recon sweep then."
>Circle the house in a helical flight, camera at the ready.
>Peer into a window.
>Talk and write "From all sides Caer Kirisame held fast, the stout cottage oozing a forbidding aura. Yet inside were bound the pair, to uncover such secrets as wait this is totally the wrong voice."
>"Plunked down like a coin through a slot. We were suddenly in the Forest of Magic. The forest that held a million secrets, such as why would a magician fill her house with junk, and what was causing aforesaid house to give us the heebie jeebies. Momiji said it was like the house was warning us away. I don't need to describe Moms to you dear reader, assuming you read the first chapiter, but when she gets a feeling about something like this she's rarely wrong. For my sake, I hoped this was one of those rare occasions. Finally we decided to enter through the what do you think Momiji?"
>Shank Momiji.
>unless that's not a universal page-34 thing
>Let's have a look into the lower windows.
>Then toss Momiji through one